The Carole: A Study of a Medieval Dance

Voorkant
Routledge, 5 jul 2017 - 172 pagina's
The carole was the principal social dance in France and England from c. 1100 to c. 1400 and was frequently mentioned in French and English medieval literature. However, it has been widely misunderstood by contributors in recent citations in dictionaries and reference books, both linguistic and musical. The carole was performed by all classes of society - kings and nobles, shepherds and servant girls. It is described as taking place both indoors and outdoors. Its central position in the life of the people is underlined by references not only in what we might call fictional texts, but also in historical (or quasi-historical) writings, in moral treatises and even in a work on astronomy. Dr Robert Mullally's focus is very much on details relevant to the history, choreography and performance of the dance as revealed in the primary sources. This methodology involves attempting to isolate the term carole from other dance terms not only in French, but also in other languages. Mullally's groundbreaking study establishes all the characteristics of this dance: etymological, choreographical, lyrical, musical and iconographical.
 

Inhoudsopgave

1 The History of the Term Carole since c 1400
1
2 The Etymology of the Word Carole
9
3 The Earliest Citations of the Term Carole and the Relationship of Carole to Chorus and Chorea
19
4 Theories about the Choreography
31
5 A Reconstruction of the Choreography
41
6 Carole Bal Danse Tresche
51
7 The Lyrics
63
8 The Music
79
10 Carola in Italian
101
11 Carole in Middle English
111
Appendix A Music Examples
119
Appendix B Manuscripts Cited in Chapter 9
121
Appendix C Maiden in the Mor Lay
123
Bibliography
125
Index
145
Copyright

9 The Iconography
93

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Over de auteur (2017)

Robert Mullally graduated with a BA in English Literature and French from University College Dublin. He also holds a PhD from King's College London. He took up a career in language teaching at the same time as he developed an interest in Historical Dance, which he studied with Wendy Hilton. He then specialized in research in French and English dances of the Middle Ages and Renaissance together with related topics, and has had articles published in a large number of academic journals, both British and Continental. In addition he has contributed on dance to both the OED and The New Grove Dictionary of Music and Musicians.

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