Max ErnstPhaidon, 1979 - 16 pagina's |
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Pagina 7
... childhood memories . This discovery was frottage . As Ernst described it , the deeply indented grooves of a wooden floor which he was examining one day reminded him of a childhood memory of false mahogany panelling , which had , at the ...
... childhood memories . This discovery was frottage . As Ernst described it , the deeply indented grooves of a wooden floor which he was examining one day reminded him of a childhood memory of false mahogany panelling , which had , at the ...
Pagina 8
... childhood , as well as to the work of earlier German painters . Ernst's early feelings towards forests were equivocal . They were delightful and oppressive places at the same time , offering both the freedom of the open air and , in ...
... childhood , as well as to the work of earlier German painters . Ernst's early feelings towards forests were equivocal . They were delightful and oppressive places at the same time , offering both the freedom of the open air and , in ...
Pagina 9
... childhood incident in which the death of a pet cockatoo coincided with the birth of a sister . As Ernst described it , in the third person : ' In his imagination he connected both events and charged the baby with the extinction of the ...
... childhood incident in which the death of a pet cockatoo coincided with the birth of a sister . As Ernst described it , in the third person : ' In his imagination he connected both events and charged the baby with the extinction of the ...