Max ErnstPhaidon, 1979 - 16 pagina's |
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Pagina 5
... images . . . piling up on each other with the persistence and rapidity which are peculiar to love memories and visions of half sleep ' . Ernst found that he could enhance the poetic effect of these juxtapositions by adding an odd line ...
... images . . . piling up on each other with the persistence and rapidity which are peculiar to love memories and visions of half sleep ' . Ernst found that he could enhance the poetic effect of these juxtapositions by adding an odd line ...
Pagina 6
... images , he designated the titles themselves ' verbal collages ' . Frequently long and poetically written , often in several languages , on the works themselves , their distor- tion of commonsense reality parallels that of the images ...
... images , he designated the titles themselves ' verbal collages ' . Frequently long and poetically written , often in several languages , on the works themselves , their distor- tion of commonsense reality parallels that of the images ...
Pagina 7
... images of a kind able to reveal the first cause of the obsession . ' Thirty - four frottages were published in Paris in 1926 , under the title Histoire naturelle ( Plate 14 ) These added to the dreamlike combination of objects in the ...
... images of a kind able to reveal the first cause of the obsession . ' Thirty - four frottages were published in Paris in 1926 , under the title Histoire naturelle ( Plate 14 ) These added to the dreamlike combination of objects in the ...