Max ErnstPhaidon, 1979 - 16 pagina's |
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Pagina 11
... jungle in the foreground , whose threatening presence is made more sinister because its illusionistic style contrasts with the flatness of the city itself . The Whole City series can be seen as a metaphor for the destruction of man's ...
... jungle in the foreground , whose threatening presence is made more sinister because its illusionistic style contrasts with the flatness of the city itself . The Whole City series can be seen as a metaphor for the destruction of man's ...
Pagina 12
... jungle pictures and produced some of the most penetrating comments on contemporary society in the whole of modern art . As with the earlier grattage process ( Plates 18-20 , 22 , 24-6 ) , Ernst worked up suggestions provided by the ...
... jungle pictures and produced some of the most penetrating comments on contemporary society in the whole of modern art . As with the earlier grattage process ( Plates 18-20 , 22 , 24-6 ) , Ernst worked up suggestions provided by the ...
Pagina 13
... jungle pictures of the 1930s ( see Plate 32 ) . In the period after about 1935 , Ernst turned increasingly to the traditional Germanic interest in forests and in monsters to express his feelings about the political developments which ...
... jungle pictures of the 1930s ( see Plate 32 ) . In the period after about 1935 , Ernst turned increasingly to the traditional Germanic interest in forests and in monsters to express his feelings about the political developments which ...