Max ErnstPhaidon, 1979 - 16 pagina's |
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Pagina 6
... tion of commonsense reality parallels that of the images , to which they bear a reciprocal relation as both inspiration and amplification . This practice coincided with his enthusiastic reading of Novalis and Hölderlin . Ernst's ...
... tion of commonsense reality parallels that of the images , to which they bear a reciprocal relation as both inspiration and amplification . This practice coincided with his enthusiastic reading of Novalis and Hölderlin . Ernst's ...
Pagina 9
Max Ernst, Ian Turpin. tion . The anatomical distortions , resulting partly from Ernst's painting method , also derive from Miró , Picasso's monumental groups of the 1920s , and the conflicting . perspectives of de Chirico . This ...
Max Ernst, Ian Turpin. tion . The anatomical distortions , resulting partly from Ernst's painting method , also derive from Miró , Picasso's monumental groups of the 1920s , and the conflicting . perspectives of de Chirico . This ...
Pagina 16
... tion . 8. Oedipus Rex . 1922. Oil on canvas , 93 × 102 cm . Paris , private collection . 9. Woman , Old Man & Flower . 1923-4 . Oil on canvas , 97 x 130 cm . New York , Museum of Modern Art . 10. The Teetering Woman . 1923. Oil on ...
... tion . 8. Oedipus Rex . 1922. Oil on canvas , 93 × 102 cm . Paris , private collection . 9. Woman , Old Man & Flower . 1923-4 . Oil on canvas , 97 x 130 cm . New York , Museum of Modern Art . 10. The Teetering Woman . 1923. Oil on ...