Notes on a Cuff

Voorkant
RosettaBooks, 22 mrt 2016 - 172 pagina's
Darkly humorous short fiction set in the early years of the Soviet Union, by the author of The Master and Margarita.
 
A collection of comic, self-aware, and stylistically dazzling short stories touching on such familiar territory for many Russian authors as disease, famine, civil war, and political turmoil, Notes on a Cuff and Other Stories showcases the style that Mikhail Bulgakov would be known for during the literary and theatrical renaissance of 1920s Moscow and beyond.
 
Written between 1920 and 1921 while Bulgakov was employed as a doctor in a rural hospital in the Caucasus region, Notes on a Cuff presents a series of first-person comedic sketches centered on a young writer (Bulgakov’s semiautobiographical proxy) fighting to launch his literary career despite great personal and political odds.
 
“A very good place to start on Bulgakov if you haven’t read any of his work before.”—The Guardian

Over de auteur (2016)

Mikhail Bulgakov was a Russian playwright, novelist, and physician best known for his satirical classic, The Master and Margarita. Born in Kiev in 1891, Bulgakov was drawn to both literature and the theater from his early youth. As a young man, Bulgakov studied to become a doctor and volunteered with the Red Cross during the First World War. He practiced medicine for some years after WWI, and was eventually drafted as an army physician during the Russian Civil War. He contracted typhus and nearly died at his posting, and after a shaky recovery he began his professional transition from physician to playwright and author.
 
From 1919 until his death in 1940, his plays, short stories, and novels enjoyed degrees of critical and popular success, but Bulgakov also endured a great deal of criticism and censorship due to his propensity to mercilessly satirize the ethical and political shortcomings of life in the Soviet Union. His witty, biting, and frequently grotesque storytelling style caught the eye of Joseph Stalin, earning him some degree of political immunity. By the end of the 1920s, however, Bulgakov’s career had ground to a halt due to a government ban on the performance or publication of his work. Bulgakov’s relationship with Stalin protected him from arrest and execution, but he could not publish any of his works or stage his plays for the remaining years of his life.
 
Over the next decade, the ailing writer began work on The Master and Margarita, which would be his last major creative effort before his death. A brilliant satire of Soviet society, it was not published until 1966, 26 years after his death. Although he never experienced stable success and renown during his life, Bulgakov’s body of work is now firmly situated within the pantheon of great 20th century Russian literature and theater.

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