Double Agency: Acts of Impersonation in Asian American Literature and CultureStanford University Press, 2005 - 245 pagina's In Double Agency, Tina Chen proposes impersonation as a paradigm for teasing out the performative dimensions of Asian American literature and culture. Asian American acts of impersonation, she argues, foreground the limits of subjectivity even as they insist on the undeniable importance of subjecthood. By decoupling imposture from impersonation, Chen shows how Asian American performances have often been misinterpreted, read as acts of betrayal rather than multiple allegiance. A central paradox informing the book—impersonation as a performance of divided allegiance that simultaneously pays homage to and challenges authenticity and authority—thus becomes a site for reconsidering the implications of Asian Americans as double agents. In exploring the possibilities that impersonation affords for refusing the binary logics of loyalty/disloyalty, real/fake, and Asian/American, Double Agency attends to the possibilities of reading such acts as "im-personations"—dynamic performances, and a performance dynamics—through which Asian Americans constitute themselves as speaking and acting subjects. |
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Pagina 48
... discourse , one of which depends upon the systematic refusal to ac- knowledge the complexity and undeniable impact ... discourse of empire represented by Smith . One of the key sites of subversion to imperial discourse ( s ) of ...
... discourse , one of which depends upon the systematic refusal to ac- knowledge the complexity and undeniable impact ... discourse of empire represented by Smith . One of the key sites of subversion to imperial discourse ( s ) of ...
Pagina 207
... Discourse , Chinese Women , and Intellectual Hegemony , " argues that " the no- tion of modern Chinese literature . . . depends , implicitly , on the notion of a mi- nority discourse in the postcolonial era . . . . Modern Chinese ...
... Discourse , Chinese Women , and Intellectual Hegemony , " argues that " the no- tion of modern Chinese literature . . . depends , implicitly , on the notion of a mi- nority discourse in the postcolonial era . . . . Modern Chinese ...
Pagina 212
... discourse : " the two discourses , which are character- ized by a call for totality similar to that by the two languages of a bilingual , differ in vocabulary , partially in syntax , but especially in the way they are used . Private ...
... discourse : " the two discourses , which are character- ized by a call for totality similar to that by the two languages of a bilingual , differ in vocabulary , partially in syntax , but especially in the way they are used . Private ...
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Double Agency: Acts of Impersonation in Asian American Literature and Culture Gedeeltelijke weergave - 2005 |
Veelvoorkomende woorden en zinsdelen
acts of impersonation agent Akiko Anna May Wong argues articulates Asian American identity Asian American literature authenticity Beccah becomes body Butterfly chapter character Chin Chin's Chinese American claim comfort woman constructed context conventions critical critique cultural daughter despite Detective Fiction discourse distinctions Double Agency embodied emphasis enacting ethnic experience Fah Lo Suee figure foregrounds Frank Chin Fu Manchu genre Henry Henry's Hwang iden identifies immigrants imposture Induk invisibility Japanese American Keller Korean American Korean shamanism linguistic mask mother Mulberry and Peach Mulberry's multiple narrative Native Speaker nature Nieh's novel performance Picture Bride play politics of impersonation pose possession possibilities practice problematic protagonist race racial reading relationship rendered representation resistance rituals Rohmer's role Sax Rohmer sexual Significantly sinbyong Sinocentric social spirits spy story stage stereotype stereotype's strategy suggests theatrical tion understanding Vincent women Wong writes Yellow Peril yellowface York
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