 In the next place, our critics do not seem sensible that there is more beauty in the works of a great genius who is ignorant of the rules of art, than in those of a little genius who knows and observes them.  The British Essayists: Spectator - Pagina 112door James Ferguson - 1819Volledige weergave - Over dit boek
 | 1729 - 320 pagina’s
...which is what we call the Sublime in Writing. IN the next Place, our Criticks do not feem fenfible that there is more Beauty in the Works of a great Genius who is ignorant of the Rules of Art, than in thofe of a little Genius who knows and obferves them. It is of thefe Men... | |
 | 1786 - 670 pagina’s
...arts, which it what we call the fublime in writing. In the next place, our critics do not fcem fenfible that there is more beauty in the works of a great genius who i* ignorant of the ru'es of art, than in thole of a little genius who knows and obierves them. It is... | |
 | 1789 - 428 pagina’s
...arts, which is what we call the fublime in writing. In the next place, our critics do not feem feniible that there is more beauty in the works of a great genius, who is ignorant of the rules of art, than in thofe of a little genius who knows and obferves them. It is of thefe men... | |
 | British essayists - 1802 - 304 pagina’s
...arts, which is what we call the sublime in writing. In the next place, our critics do not seem sensible that there is more beauty in the works of a great genius, who is ignorant of the rules of art, than in those of a little genius who knows and observes them. It is of these men... | |
 | Alexander Chalmers - 1802 - 320 pagina’s
...not only knows but scrupulously observes them. In the next place, our critics do not seem sensible that there is more beauty in the works of a great genius, who is ignorant of the rules of art, than in those of a little genius who knows and observes them. It is of these men... | |
 | 1803 - 342 pagina’s
...greater judgment shewn in deviating from the rules of art, than in adhering to them ; and, secondly, that there is more beauty in the works of a great genius who ia ignorant of the rules of art, than in the works of a little genius, who not only knows, but scrupulously... | |
 | Joseph Addison - 1804 - 498 pagina’s
...arts, which is what we call the sublime in writing. In the next place, our critics do not seem sensible that there is more beauty in the works of a great genius who is ignorant of the rules of art, than in those of a little genius who knows and observes them. It is of these men... | |
 | Alexander Chalmers - 1808 - 308 pagina’s
...they'daily instruct the people, by not considering that, first, there u sometimes a greater judgment shown in deviating from the rules of art than in adhering...of art. than in the works of a little genius, who no< only knows but scrupulously observes them. First, We may often take notice of men who> are perfectly... | |
 | 1808 - 306 pagina’s
...adhering to them ; and, Secondly, That there is more heauty in the works of a great genins, who it ignorant of all the rules of art, than in the works of n little genins, who not only knows, hut scrupuloosly ohserves them. First, We may often take notice... | |
 | Joseph Addison, Sir Richard Steele - 1810 - 272 pagina’s
...a greater judgment shown in deviating from the rules of art than in adhering to them ; and, 2rf/y, That there is more beauty in the works of a great...ignorant of all the rules of art, than in the works of a httle genius who not only knows but scrupulously observes them. First, We may often take notice of... | |
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