The Written Poem: Semiotic Conventions from Old to Modern EnglishA&C Black, 1 jan 1998 - 184 pagina's This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a 'seen object' and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it, and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century. |
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Pagina 170
... Higgins , Dick , Pattern Poetry : Guide to an Unknown Literature . State Uni- versity of New York Press , 1986 . Hindman , Sandra L. , Printing the Written Word , the Social History of Books , circa 1450-1520 . Ithaca : Cornell UP ...
... Higgins , Dick , Pattern Poetry : Guide to an Unknown Literature . State Uni- versity of New York Press , 1986 . Hindman , Sandra L. , Printing the Written Word , the Social History of Books , circa 1450-1520 . Ithaca : Cornell UP ...
Inhoudsopgave
Poetic Discourse and Genre | 7 |
The Seen Poem and Its Semiosis | 33 |
The Semiotic of Art and Music | 41 |
The Semiotic of the Body | 58 |
The Semiotic of Language | 70 |
The Origin of the English Line 11001300 | 99 |
Overige edities - Alles bekijken
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Gedeeltelijke weergave - 1998 |
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Geen voorbeeld beschikbaar - 1999 |
Veelvoorkomende woorden en zinsdelen
alignment American Poetry Anglo-Norman Anglo-Saxon Anthology associated avant-garde Bernstein Black Riders Cambridge Chapter Chartier classification concrete poetry contemporary conventions couplet culture David Perkins described Dick Higgins discussion edition eighteenth century English poetry equated example framing free verse French function genre grammatical graphic display graphic realization graphology indentation Jerome McGann Kate Llewellyn Latin layout lexicogrammar lineation linguistic literary literate literature London Lotman Mallarmé's manuscript Marjorie Perloff meaning Media metrical Mode modern Old English oral Oxford poetic discourse Press Princeton printed prose prose-poem punctuation punctus elevatus Radical Artifice reader reading practices relation relevant rhyme rhythm Romantic seen poem semantic semiosis semiotic of art spoken stanza Stéphane Mallarmé structure suggests syllable systemic functional grammar textual theory tion traditional twelfth century twentieth century typography vernacular versification Visible Language visual display visual object visual poetry voice William William Carlos Williams words writing
Verwijzingen naar dit boek
From Sign to Signing: Iconicity in Language and Literature 3 Wolfgang G. Müller,Olga Fischer Gedeeltelijke weergave - 2003 |