THE IN DE X. A. ABIGAILS (male) in Fashion among the Ladies, Number 55. Abfence in Converfation, a remarkable Inftance of it in Acroftick, a piece of falfe Wit, divided into Simple and Act of Deformity, for the use of the ugly Club, N. 17.. Advice; no Order of Perfons too confiderable to be ad- Affectation, a greater Enemy to a fine Face than the Small- Americans, their Opinion of Souls, N. 56. exemplified in .32. Ample (Lady) her Uneafinefs, and the Reason of it, N. 3 · April (the first of) the merrieft Day in the Year, N. 47. Ariftotle, his Obfervation upon the Iambick Verfe, N. 31. Arfinoe, the first musical Opera on the English Stage, N.18. Avarice, Avarice, the Original of it, N. 55. Author, the Neceffity of his Readers being acquainted: B4 B: ACON, (Sir Francis) his Comparison of a Book well: Baptift Lully, his prudent Management, N. 29. Bawdry,never writ but where there is a Dearth of Inven Beaver, the Haberdasher, a great Politician, N. 49. Bell, (Mr.) his ingenious Device, N. 28. Bell-Savage, its Etymology, N. 28. Birds, a Cage full for the Opera, N. 5. Biters, their Bufinefs, N. 47. Blackmore (Sir Richard) his Obfervation, N. 6. Blanks of Society, who, N. 10. Blank Verse proper for Tragedy, N. 39. Boubours, (Monfieur) a great Critick among the French, N. 62. Bouts-Rimez, what, N. 60. Breeding, fine Breeding diftinguished from good, N. 66. Butts defcribed, N. 47. the Qualification of a Butt, ibid. C C. ESAR (Julius) his Behaviour to Catullus, who Caligula, his Wish, N. 16. Camilla, Camilla, a true Woman in one Particular, N. 15. Cenfor of fmall Wares, an Officer to be erected, N. 163. Cicero, a Punfter, N. 61. The Entertainment found in his Clarinda, an Idol, in what manner worshipped, N. 73.- Clergyman, one of the Spectator's Club, N. z. Commerce, the Extent and Advantage of it, N. 69: Conversation most straitned in numerous Affemblies,, Coquettes, the prefent numerous Race, to what owing,. N. 66. Coverley (Sir Roger de) a Member of the Spectator's Club, Cowley abounds in mixt Wit, N. 62. Crab, of King's College in Cambridge, Chaplain to the Credit, a beautiful Virgin, her Situation and Equipage, Crofs (Mifs) wanted near half a Tun of being as hand- D D. ANCING, a Difcourfe on it, defended, N. 67% Deformity, Deformity, no Caufe of Shame, N. 17. Delight and Surprise, Properties effential to Wit, N. 62. Dignitaries of the Law, who, N. 21. Divorce, what esteemed to be a juft Pretenfion to one, N. 41. Donne (Dr.) his Defcription of his Miftrefs, N. 41. Dryden, his Definition of Wit cenfured, N. 62. Dull Fellows, who, N. 43. their Inquiries are not for Information but Exercise, ibid. Naturally turn their Heads to Politics or Poetry, ibid. Dutch more Polite than the English in their Buildings, and Monuments of their Dead, N. 26. Dyer, the News-Writer, an Ariftotle in Politics, N. 43. E E. NVY The ill State of an envious Man, N. 19. his Relief, ibid. The way to obtain his Favour, ibid. Ephefian Matron, the Story of her, N. 11. Epictetus, his Obfervation upon the Female Sex, N. 53. Epigram on Hecatiffa, N. 52.. Epitaphs, the Extravagance of fome, and Modesty of others, N. 26. An Epitaph written by Ben Johnson, 33. Equipages, the Splendor of them in France, N. 15. a great Temptation to the Female Sex, ibid. Etherege (Sir George) Author of a Comedy, called, She would if he could, reproved, N. 51. Eubulus, his Character, N. 49. Eucrate, the Favourite of Pharamond, N. 76. Eudofia, her Behaviour, N. 79. F F. ABLE of the Lion and the Man, N. 11. Of the man, 25. Falfhood (the Goddefs of) N. 63. Falfe Wit, the Region of it, N. 25. Falfaff, (Sir John) a famous Butt, N. 47. Fame, generally coveted, N. 73. Fashion, the Force of it, N. 64. Fear of Death often Mortal, N. 25. Fine Gentlemen, a Character frequently mifapplied by the Fair Sex, N. 75. Flutter, (Sir Fopling) a Comedy; fome Remarks upon it, N. 65. Fools, great Plenty of them the first Day of April, N. 47. Freeport, Freeport, (Sir Andrew) a Member of the Spectator's Club, N. 2. French Poets, wherein to be imitated by the English, N.45. Friendship, the great Benefit of it, N. 68. The Medicine of Life, ibid. The Qualifications of a good Friend, ibid. G G. ALANTRY; wherein true Galantry ought to confift, N. 7. Gaper; the Sign of the Gaper frequent in Amfterdam, N.47. Ghofts warn'd out of the Playhouse, N. 36. the Appearance of a Ghost of great Efficacy on an English Theatre, 44. Gofpel Goffips defcribed, N. 46. Goths in Poetry, who, N. 62. H. HANDKERCHIEF, the great Machine for moving Pity in a Tragedy, N. 44. Happinefs, (true) an Enemy to Pomp and Noife, N. 15. Hard Words ought not to be Pronounced right by wellbred Ladies, N. 45. Heroes in an English Tragedy generally Lovers, N. 40. Hobbs, (Mr.) his Obfervation upon Laughter, N. 47. Honeycomb, (Will) his Character, N. 2. his Difcourfe with the Spectator in the Playhouse, 4. his Adventure with a Pia, 41. Throws his Watch into the Thames, 77. Human Nature, the fame in all reasonable Creatures, N. 70. Honour to be defcribed only by Negatives, N. 35. the Genealogy of true Honour, ibid. and of falfe, ibid. I. IAMBICK Verfe the most proper for Greek Trage dies, N, 39, James, how polished by Love, N. 71. Idiots in great Request in most of the German Courts, N. 47. Idols, who of the Fair Sex so called, N. 73. Impudence gets the better of Modefty, N. 2. An Impudence committed by the Eyes, 20. the Definition of English, Scotch, and Irish Impudence, ibid. Indian Kings, fome of their Obfervations during their Indifcretion, more hurtful than Ill-nature, N. 23. Inkle and Yarico, their Story, N. 11. Innocence and not Quality, an Exemption from Reproof, N. 34. Fobnfar |