British Film Institute, 23 mrt. 2006 - 192 pagina's
Tele-Visions: Methods and Concepts in Television Studies has been specifically designed to offer a comprehensive, authoritative, accessible, and lively introduction to the subject of television studies. Written by many of the leading international figures in the field, it covers all the major issues, debates, key terms, histories and methodologies that make up this exciting new area of expertise. Skillfully illuminated through actual programs, detailed case studies, and recommended readings, it offers invaluable insights into how television is produced, broadcast, controlled, consumed, and critically examined. From textual analysis to audience studies; from studying drama to studying documentary; from policy and regulation to regionality and globalization; from authorship to ideology; from modernism to postmodernism; from aesthetics to fandom; from histories to futures; this book offers an expansive and clearly structured account of both how and why we study television.
Unapologetically ambitious, Tele-Visions both explains and expands our knowledge of the subject, clarifying traditional areas of debate while also setting out new agendas and critical possibilities. It is an essential book for anyone studying television and the media today.
Fully illustrated--it includes selected reading guides and full bibliographies that will help students at all levels.
Probeer deze zoekopdracht voor alle uitgaven: rational
Resultaten 1-0 van 0
Wat mensen zeggen - Een review schrijven
We hebben geen reviews gevonden op de gebruikelijke plaatsen.
TV Form and Aesthetics John Ellis
Issues and Methods in Textual
Issues of Ideology and Discourse Glen Creeber
9 andere gedeelten niet weergegeven
Overige edities - Alles weergeven
Aboriginal academic aesthetics American approach APTN argued audience research audience studies audience theory BBC News 24 BBC1 British television broadcasting camera channels Chapter cinema clearly commercial communities contemporary Creeber critical Cultural Studies debate Dennis Potter discourse documentary dominant episode evision example fan studies fandom film Fiske focus genre global globalisation grammes images important increasingly indigenous industry interactive Internet interpretation issues John London means mediasphere medium mobile narrative Ofcom organisation particular political popular postmodernism production public service radio reading reality television recent Routledge satellite scene screen semiotics shot sion soap opera social Sopranos structure study of television Study Television technologies television drama television history television programmes Television Studies television text television's textual analysis theory tion tradition TV drama University Press viewers viewing watch Wife Swap World in Action York