The New Pelican Guide to English Literature: The age of ShakespeareBoris Ford Penguin Books, 1982 - 576 pagina's V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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Pagina 93
... Thou art my wit and thou my virtue art . Far from clogging it , the forensic turn of the sonnet , adroitly be- littling the opposing case , gives it urgency and a delightful poise . And Sidney's language is strictly in decorum , with ...
... Thou art my wit and thou my virtue art . Far from clogging it , the forensic turn of the sonnet , adroitly be- littling the opposing case , gives it urgency and a delightful poise . And Sidney's language is strictly in decorum , with ...
Pagina 237
... thou , a choice which can be especially significant in the drama.5 I shall use You and Thou ( with upper - case initial ) to refer to entire related groups of forms : so You means one or more of you , ye , your , yourself , yourselves ...
... thou , a choice which can be especially significant in the drama.5 I shall use You and Thou ( with upper - case initial ) to refer to entire related groups of forms : so You means one or more of you , ye , your , yourself , yourselves ...
Pagina 238
... Thou . It may be thought strange that there are two different emotional uses of Thou , one intimate and affectionate , the other hostile and insulting . The hostile Thou can in fact be used between intimates , as well as the affectionate ...
... Thou . It may be thought strange that there are two different emotional uses of Thou , one intimate and affectionate , the other hostile and insulting . The hostile Thou can in fact be used between intimates , as well as the affectionate ...
Veelvoorkomende woorden en zinsdelen
action appears audience called Cambridge century Chapman characters classical close comedy common contrast court critics death drama edition effect elements Elizabethan England English English Studies especially Essays example experience expression feeling figure final force give Hamlet hand hero human humour imagination important interest Italy Jonson kind King language later Lear learning less lines literary literature living London means mind moral nature night notes once passion period play plot poem poet poetic poetry political popular present printing Queene reader reason relation Renaissance rhetoric romantic satire scene seems sense Shakespeare Sidney social Sonnets speech Spenser stage Studies suggests theatre theme things Thou thought tradition tragedy true turn University verse whole writing York
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