The New Pelican Guide to English Literature: The age of ShakespeareBoris Ford Penguin Books, 1982 - 576 pagina's V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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Pagina 392
... critics had missed . He has brilliant notes on individual passages and profound comments on the poetry ; but he specializes in analysis of character , as certain eighteenth- century critics had done before him , and it is this side of ...
... critics had missed . He has brilliant notes on individual passages and profound comments on the poetry ; but he specializes in analysis of character , as certain eighteenth- century critics had done before him , and it is this side of ...
Pagina 396
... critics have become more aware of the ' Elizabethan ' Shakespeare . Like Bradbrook , they consider Shakespeare as a member of an acting company , while realizing that a great poet never belongs wholly to his own age . Even those who ...
... critics have become more aware of the ' Elizabethan ' Shakespeare . Like Bradbrook , they consider Shakespeare as a member of an acting company , while realizing that a great poet never belongs wholly to his own age . Even those who ...
Pagina 401
... criticism in English , although there has been good criticism in German , 24 French25 and Russian . 26 Modern critics have two advantages over the great critics of the past : they have a greater knowledge of the conditions of ...
... criticism in English , although there has been good criticism in German , 24 French25 and Russian . 26 Modern critics have two advantages over the great critics of the past : they have a greater knowledge of the conditions of ...
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action appears audience called Cambridge century Chapman characters classical close comedy common contrast court critics death drama edition effect elements Elizabethan England English English Studies especially Essays example experience expression feeling figure final force give Hamlet hand hero human humour imagination important interest Italy Jonson kind King language later Lear learning less lines literary literature living London means mind moral nature night notes once passion period play plot poem poet poetic poetry political popular present printing Queene reader reason relation Renaissance rhetoric romantic satire scene seems sense Shakespeare Sidney social Sonnets speech Spenser stage Studies suggests theatre theme things Thou thought tradition tragedy true turn University verse whole writing York
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