Modern Japanese Fiction

appeared Arishima became began called character Chinese Christian course critics culture deal death direction early effect English entirely expression eyes face farmers felt fiction field finally foreign Fukuzawa gives hand head horse human ideas important Independence individual interest Japan Japanese literature known language later least less literary live looked Marxism material matter means mind modern Japanese moral native naturalism naturalists never Niemon noted novels object Occidental original perhaps period person philosophy Play political position powerful present problem proletarian reason regarded remained seems sense short social society sound story style success theme things tion Tokyo tradition translated turned usually views West Western wife woman women writers written young