Samuel Beckett l'œvre carrefour/l'œuvre limiteMarius Buning, Matthijs Engelberts, Sjef Houppermans Rodopi, 1997 - 412 pagina's ISBN 9042003375 (paperback) NLG 55.00 From the contents: Beckettissimo: Beckett virtuose de l'echo: 'fin de partie' et l'essence du bouddhisme (Emmanuel Jacquart).- Staging of institutional tensions in Beckett's plays (Juergen Siess).- Postmodern staging of 'waiting for Godot' (Mariko Hori Tanaka).- Staging himself, or Beckett's late style in the theatre (S.E. Gontarski). figure. |
Inhoudsopgave
| 9 | |
| 31 | |
| 45 | |
| 63 | |
S E Gontarski | 87 |
Giuseppina Restivo | 111 |
Minako Okamura | 125 |
Norma Bouchard | 137 |
Charles Krance | 223 |
Ruud Hisgen and Adriaan van der Weel | 243 |
Andrew Kennedy | 255 |
Mary Bryden | 279 |
Kim Conner | 303 |
Stéphanie Ravez | 329 |
James E Robinson | 343 |
Luc Fraisse | 365 |
Overige edities - Alles bekijken
Samuel Beckett l'œvre carrefour/l'œuvre limite Marius Buning,Matthijs Engelberts,Sjef Houppermans Gedeeltelijke weergave - 1997 |
Veelvoorkomende woorden en zinsdelen
artistic audience autre avant Baal bâillements banana Barrett Beckettian Belacqua bien blanc body Brecht c'est Calder characters Clov corps d'une dernière Derrida désir deux dialogue discourse drama Dream effet Eh Joe Endgame essay Estragon été être façon fait figure Fin de partie Hamm hermeneutic Ill Seen Ill imagination interpretation jamais Knott Krapp Krapp's Last Tape l'autre l'écriture l'imagination l'œuvre language langue lecteur lieu listener London lui-même Maddy Melencolia mise en scène Molloy monde monologue Montale Montale's mort mouvement Murphy n'est Nacht und Träume narrateur narrative narrator novel œuvre paradox Paris pensée performance personnages peut pièce poems postmodern Pozzo précisément premier Pricks Than Kicks propre prose Proust qu'elle qu'il qu'un Quad reading Recherche représentation rien Rockaby Samuel Beckett savoir Schopenhauer sens seul silence sound stage sujet temps Theatre tout translation vision visual Vladimir voice voir voix Waiting for Godot Watt Watt's words Worstward Worstward Ho
Populaire passages
Pagina 185 - ... already, perhaps they have said me already, perhaps they have carried me to the threshold of my story, before the door that opens on my story, that would surprise me, if it opens, it will be I, it will be the silence where I am, I don't know, I'll never know, in the silence you don't know, you must go on, I can't go on, I'll go on.
Pagina 279 - My work is a matter of fundamental sounds (no joke intended) made as fully as possible, and I accept responsibility for nothing else. If people want to have headaches among the overtones, let them. And provide their own aspirin.
Pagina 274 - Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating. The sound of a truck at fifty miles per hour. Static between the stations. Rain. We want to capture and control these sounds, to use them not as sound effects but as musical instruments. Every film studio has a library of "sound effects
Pagina 160 - The expression that there is nothing to express, nothing with which to express, nothing from which to express, no power to express, no desire to express, together with the obligation to express.
Pagina 148 - It resembled them in the sense that it was not ended, when it was past, but continued to unfold, in Watt's head, from beginning to end, over and over again, the complex connexions of its lights and shadows, the passing from silence to sound and from sound to silence, the stillness before the movement and the stillness after, the quickenings and retardings, the approaches and the separations, all the shifting detail of its march and ordinance, according to the irrevocable caprice of its taking place.
Pagina 23 - I asked her to look at me and after a few moments — [Pause.] — after a few moments she did, but the eyes just slits, because of the glare. I bent over her to get them in a shadow and they opened.