RomanceRoutledge, 9 sep 2004 - 158 pagina's Often derided as an inferior form of literature, 'romance' as a literary mode or genre defies satisfactory definition, dividing critics, scholars and readers alike. This useful guidebook traces the myriad transformations of 'romance' from medieval courtly love to Mills and Boon, and claims that its elusive and complex nature serves as a touchstone for larger questions of literary and cultural theory, such as:
The case for 'romance' as a concept is presented clearly and imaginatively, arguing that its usefulness to contemporary critics can be maintained if it is regarded as a literary strategy rather than a fixed genre. In encouraging the reader to consider the fluidity of literature, Romance will be of equal value to all students of historical and comparative literatures and of modern literary forms. |
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... reflect certain ascendant religious or social ideals” (Frye 1976: 29—30). Conversely, Frye notes, romance is often marked by a persistent nostalgia for some other time (or, one might add, place) that undermines the social ideals of the ...
... reflects the low regard in which these fictions were held, despite their presumed appeal to a popular audience (Perry 1967: 4—5). Although critics have traced the connections between the prose fiction of antiquity and such genres as ...
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Inhoudsopgave
1 | |
12 | |
2 Medieval Romance | 37 |
3 Romance in the Renaissance | 66 |
4 PostRenaissance Transformations | 99 |
FURTHER READING | 131 |
SELECT BIBLIOGRAPHY | 133 |
INDEX | 142 |