Seven Dada Manifestos and Lampisteries
John Calder, 1 jan. 1977 - 118 pagina's
"This volume contains Tristan Tzara's famous manifestos which first appeared between 1916 and 1921 and which became basic texts of the modern movement and precursors and models for the surrealist manifestos that were to appear subsequently from Breton and his followers. Art for Tzara was both deadly serious and a game and the playfulness of his character is apparent not only in his polemic, often using dadaist typography, but in the delightful doodles and drawings contributed by his friend Francis Picabia. In addition to the seven manifestos, this volume also contains Tzara's Lampisteries, articles that throw light on various art forms contemporary with his own work at the time when post-war art, weary of the old certainties and the holocaust that emerged from them, turned decisively into subjective and often abstract forms, exchanging the reality of the mind for that of the senses."--BOOK JACKET.
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R. Huelsenbeck 'Prières Fantastiques' 73 Note on Poetry 75 Pierre Reverdy 'Les
Ardoises du Toit 'Les Jockeys Camouflés' 79 Francis Picabia 'L'Athlète des
Pompes Funèbres' 'Râteliers Platoniques' 8 1 Francis Picabia 'Pensées sans ...
Under the bark of felled trees, I seek the image of things to come, of vigour, and in
underground tunnels the obscurity of iron and-eeal may already be heavy with
lifL pierre reverdy "les ardoises du toit" "les jockeys camoufles We 78.
pierre reverdy "les ardoises du toit" "les jockeys camoufles We know to what
extent psychological art anaesthetises any movement — even if it is sometimes a
literary movement — and the balance that le Voleur de Talan established in
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LibraryThing ReviewGebruikersrecensie - scottcholstad - LibraryThing
I always found Tristan Tzara pretty interesting, if not a little crazy. But then, many of my favorite artists and writers have bordered on crazy (Burroughs, Bukowski, Dali, etc.) -- it's a matter of ... Volledige review lezen
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