SurrealismH. N. Abrams, 1974 - 144 pagina's |
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Pagina 17
... Chirico , which sufficed to determine our straight line " ( Le Surréalisme et la peinture , 1928 ) . Giorgio de Chirico , whom the Surrealists initially accept- ed with such enthusiasm , had been hailed in 1914 by Apollinaire as " the ...
... Chirico , which sufficed to determine our straight line " ( Le Surréalisme et la peinture , 1928 ) . Giorgio de Chirico , whom the Surrealists initially accept- ed with such enthusiasm , had been hailed in 1914 by Apollinaire as " the ...
Pagina 58
... Chirico painted The Return of the Poet in Paris in 1911 , after a visit to Turin where he had been much impressed by the city's piazzas - and the general layout of the picture does bear an undeniable resemblance to the piazzas of Turin ...
... Chirico painted The Return of the Poet in Paris in 1911 , after a visit to Turin where he had been much impressed by the city's piazzas - and the general layout of the picture does bear an undeniable resemblance to the piazzas of Turin ...
Pagina 60
... Chirico's pictures . In 1919 Max Ernst discovered reproductions of De Chirico's work - in the magazine Valori plastici - which influenced him profoundly : Ernst's Pietà or Revolution by Night of 1923 ( fig . 15 ) is a direct reference ...
... Chirico's pictures . In 1919 Max Ernst discovered reproductions of De Chirico's work - in the magazine Valori plastici - which influenced him profoundly : Ernst's Pietà or Revolution by Night of 1923 ( fig . 15 ) is a direct reference ...
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