Seven Dada Manifestos and Lampisteries
Tristan Tzara—poet, literary iconoclast, and catalyst—was the founder of the Dada movement that began in Zürich during World War I. His ideas were inspired by his contempt for the bourgeois values and traditional attitudes towards art that existed at the time. This volume contains the famous manifestos that first appeared between 1916 and 1921 that would become the basic texts upon which Dada was based. For Tzara, art was both deadly serious and a game. The playfulness of Dada is evident in the manifestos, both in Tzara's polemic—which often uses dadaist typography—as well as in the delightful doodles and drawings contributed by Francis Picabia. Also included are Tzara's Lampisteries, a series of articles that throw light on the various art forms contemporary to his own work. Post-war art had grown weary of the old certainties and the carnage they caused. Tzara was on the cutting edge at a time when art was becoming more subjective and abstract, and beginning to reject the reality of the mind for that of the senses.
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CONTENTS SEVEN DADA MANIFESTOS Monsieur Antipyrine's Manifesto Dada
Manifesto 1918 Unpretentious Proclamation Manifesto of Monsieur AA the
Antiphilosopher Tristan Tzara's Manifesto Monsieur AA the Antiphilosopher
sends us ...
Aa is a handkerchief and genitals blowing their noses rapid collapse — made of
rubber — noiseless, needs neither manifestos nor address books, it gives a 25%
discount buy your clothes at Aa's ... MONSIEUR AA THE ANTIPHILOSOPHER ...
Manifesto of Monsieur Aa the Antiphilosopher was read at the Grand Palais des
Champs-Elysées on February 5th 1920. Published in “Littérature” no. 13, 1920.
Tristan Tzara's Manifesto was read at the Université populaire, on February 19th
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Monsieur Antipyrines Manifesto
Tristan Tzaras Manifesto
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