Seven Dada Manifestos and Lampisteries
Tristan Tzara—poet, literary iconoclast, and catalyst—was the founder of the Dada movement that began in Zürich during World War I. His ideas were inspired by his contempt for the bourgeois values and traditional attitudes towards art that existed at the time. This volume contains the famous manifestos that first appeared between 1916 and 1921 that would become the basic texts upon which Dada was based. For Tzara, art was both deadly serious and a game. The playfulness of Dada is evident in the manifestos, both in Tzara's polemic—which often uses dadaist typography—as well as in the delightful doodles and drawings contributed by Francis Picabia. Also included are Tzara's Lampisteries, a series of articles that throw light on the various art forms contemporary to his own work. Post-war art had grown weary of the old certainties and the carnage they caused. Tzara was on the cutting edge at a time when art was becoming more subjective and abstract, and beginning to reject the reality of the mind for that of the senses.
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R. Huelsenbeck "Prières Fantastiques' Note on Poetry Pierre Reverdy "Les
Ardoises du Toit' "Les Jockeys Camouflés" Francis Picabia 'L'Athlète des Pompes
Funèbres' "Rateliers Platoniques' Francis Picabia "Pensées sans Langage' Open
Francis Picabia, published in “Dada 4 et 5”, Zurich May 1919. Francis Picabia,
published in “Littérature”, December 1919, and as a preface to “Unique Eunudue
”, January 1920. Open Letter to Jacques Rivière, published in “Littérature”, ...
Art for Tzara was both deadly serious and a game and the playfulness of his
character is apparent not only in his polemic, often using dadaist typography, but
in the delightful doodles and drawings contributed by his friend Francis Picabia.
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Monsieur Antipyrines Manifesto
Tristan Tzaras Manifesto
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