A few remarks on the emendation, 'Who smothers her with painting,' in the play of Cymbeline |
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Pagina 3
... phraseology of the sixteenth and seventeenth centuries by the standard of that now in common use , and so be involved in errors which , arising from a defective system , will of course be almost innumerable . The first collective ...
... phraseology of the sixteenth and seventeenth centuries by the standard of that now in common use , and so be involved in errors which , arising from a defective system , will of course be almost innumerable . The first collective ...
Pagina 4
... phraseology during even that brief period . Subsequent editors made further altera- tions , of course unauthorised by the original manu- scripts , which probably perished soon after the production of the printed edition of 1623 . The ...
... phraseology during even that brief period . Subsequent editors made further altera- tions , of course unauthorised by the original manu- scripts , which probably perished soon after the production of the printed edition of 1623 . The ...
Pagina 9
... of fashion . " The MS . corrector of the second folio , not being acquainted with the figurative idiomatic phraseology in the second line , which was current under various. " Some jay of Italy , " Some jay of Italy ,. 9.
... of fashion . " The MS . corrector of the second folio , not being acquainted with the figurative idiomatic phraseology in the second line , which was current under various. " Some jay of Italy , " Some jay of Italy ,. 9.
Pagina 10
... phraseology , and that it is confirmed by other passages in the works of Shakespeare himself . One little word has created any obscurity that might have arisen . Had the phrase run , " whose mother was painting , " there would scarcely ...
... phraseology , and that it is confirmed by other passages in the works of Shakespeare himself . One little word has created any obscurity that might have arisen . Had the phrase run , " whose mother was painting , " there would scarcely ...
Pagina 14
... phraseology of the poet and his contemporaries . No sophistry can long conceal the importance of an attention to this , before giving our adhesion to violent changes , even in a case , as in the present one , where the alteration is so ...
... phraseology of the poet and his contemporaries . No sophistry can long conceal the importance of an attention to this , before giving our adhesion to violent changes , even in a case , as in the present one , where the alteration is so ...
Overige edities - Alles bekijken
A Few Remarks on the Emendation, Who Smothers Her with Painting , in the ... J. O. (James Orchar Halliwell-Phillipps Geen voorbeeld beschikbaar - 2012 |
FEW REMARKS ON THE EMENDATION J. O. (James Orchar Halliwell-Phillipps Geen voorbeeld beschikbaar - 2016 |
Veelvoorkomende woorden en zinsdelen
admit All's alteration apprehensive senses authentic authority Boaden cloth collective edition Collier conceited feather-caps conjectural constancies Expire contemporary copies corrections corrector courtesan courtesan's painting creature of Painting curious Drama early quarto Edition of Shakespeare Edition of Shakespeare's emendation English idiom English language facsimiles fashion father flame lacks oil FRITH STREET garment guiled shore Halliwell's Hamlet hath betray'd idiomatic passage imagery Imogen Ireland's W. H. J. O. Halliwell jay of Italy JOHN RUSSELL SMITH judgments Know'st literature Manuscripts MERE FATHERS mother never before published Observations old play old reading original parcel of conceited passage in Cymbeline person philology phraseology PLAY OF CYMBELINE Poet Poet's PRINTED Publications illustrative quoted quoth reference respecting second folio second line sewed Shakespeare Forgeries Shakespeare MSS Shakespeare's Plays Shakespeare's text Shakespearian criticism snuff Of younger SOHO SQUARE Steevens Stratford-on-Avon student things disdain Thou villain base thy grandfather thy tailor Tyrwhitt unauthorised volume younger spirits
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Pagina 1 - A FEW Remarks on the Emendation, " Who Smothers her with Painting," in the Play of Cymbeline, discovered by Mr. Collier, in a Corrected Copy of the Second Edition of Shakespeare, by J.