The Harmonicon, Volumes 1-11William Ayrton Gregg International, 1971 |
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Pagina 105
... effect , though I cannot help thinking that that effect would have been still greater had the piece been a third of the length . It is the misfortune of composers that when they get hold of a good thing they know not how to part with it ...
... effect , though I cannot help thinking that that effect would have been still greater had the piece been a third of the length . It is the misfortune of composers that when they get hold of a good thing they know not how to part with it ...
Pagina 106
... effect can be produced only by the whole of a composition . FELIX . Undoubtedly so , if by totality of effect you mean the realization of the aim and intention of the poet . The poet first imagines his work ; he weaves it of those ...
... effect can be produced only by the whole of a composition . FELIX . Undoubtedly so , if by totality of effect you mean the realization of the aim and intention of the poet . The poet first imagines his work ; he weaves it of those ...
Pagina 213
... effect of the modulation will be most assuredly abrupt and unpleasing . A prolongation of one or two bars of in- termediate , connecting chords , will often prevent a stran- gled modulation ( modulation étranglée ) . As this abrupt and ...
... effect of the modulation will be most assuredly abrupt and unpleasing . A prolongation of one or two bars of in- termediate , connecting chords , will often prevent a stran- gled modulation ( modulation étranglée ) . As this abrupt and ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
accompaniment adapted admirable appear Aria arranged artist BALLAD bass beautiful Beethoven better Bochsa celebrated chapel character chord Chorus clarionet comma composed composition concert Cramer delightful Der Vampyr Donzelli dramatic duet effect English excellent execution expression favourite feeling fifth flute genius Glee grand HANDEL Harmonicon harmony Haydn heard HENRI HERZ honour instrument intervals introduced Italian Kapellmeister kind King's Theatre Knyvett Madame Malibran Madlle manner Masaniello master melody ment merit minor sixth minor third Miss Paton modulation Mozart musician never notes opera orchestra Otello overture passages perfect perfect fifth performed Philharmonic piano-forte pieces played pleasing poetry possess praise present produced QUADRILLES Recit remarks render respect RONDO Rossini Semiramide semitone shew Signor sing singer song Sontag sound spirit style success sung symphony talent taste Terzetto thing tion tone tune variations violin Violoncello vocal voice whole words