The Harmonicon, Volume 1;Volumes 3-11William Ayrton Gregg International Publishers, 1971 |
Vanuit het boek
Resultaten 1-3 van 95
Pagina 56
... harmony in D , on which deepen the gloom and heighten the brilliancy of his pieces , chord there is a pause . The orchestra then strikes the when necessary , much more effectually than an artist , who chord of Eb , and a short symphony ...
... harmony in D , on which deepen the gloom and heighten the brilliancy of his pieces , chord there is a pause . The orchestra then strikes the when necessary , much more effectually than an artist , who chord of Eb , and a short symphony ...
Pagina 73
... harmony . Rossini's harmony is often indistinct and turbid , of which the hearer is quite conscious , though unable at the moment to detect many impurities which the author's desire of fulness has made him admit into it . The following ...
... harmony . Rossini's harmony is often indistinct and turbid , of which the hearer is quite conscious , though unable at the moment to detect many impurities which the author's desire of fulness has made him admit into it . The following ...
Pagina 239
... harmony through the channel of the ear , are transformed into images similar to those transmitted through the eye : but this transposition can only be effected by the power of deeply - concentrated feeling , and by virtue of the moral ...
... harmony through the channel of the ear , are transformed into images similar to those transmitted through the eye : but this transposition can only be effected by the power of deeply - concentrated feeling , and by virtue of the moral ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
accompaniment adapted admirable appear Aria arranged artist BALLAD bass beautiful Beethoven better Bochsa celebrated chapel character chord Chorus clarionet comma composed composition concert Cramer delightful Der Vampyr Donzelli dramatic duet effect English excellent execution expression favourite feeling fifth flute genius Glee grand HANDEL Harmonicon harmony Haydn heard HENRI HERZ honour instrument intervals introduced Italian Kapellmeister kind King's Theatre Knyvett Madame Malibran Madlle manner Masaniello master melody ment merit minor sixth minor third Miss Paton modulation Mozart musician never notes opera orchestra Otello overture passages perfect perfect fifth performed Philharmonic piano-forte pieces played pleasing poetry possess praise present produced QUADRILLES Recit remarks render respect RONDO Rossini Semiramide semitone shew Signor sing singer song Sontag sound spirit style success sung symphony talent taste Terzetto thing tion tone tune variations violin Violoncello vocal voice whole words