The Harmonicon, Volume 1;Volumes 3-11William Ayrton Gregg International Publishers, 1971 |
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Pagina 23
... honour . " BARCELONA . Teatro Italiano . - FOR a number of years there has been no such favourite at this theatre , as Madlle . Fanny Eckerlin . She possesses a very fine voice , between a contralto and a mezzo soprano , which she knows ...
... honour . " BARCELONA . Teatro Italiano . - FOR a number of years there has been no such favourite at this theatre , as Madlle . Fanny Eckerlin . She possesses a very fine voice , between a contralto and a mezzo soprano , which she knows ...
Pagina 53
... honour of a notice . I shall say nothing of the opera , which is servilely traced upon the pattern of Rossini . Some of the choruses are not ill - constructed , and an inter - act is well conceived ; but , as is the case with all ...
... honour of a notice . I shall say nothing of the opera , which is servilely traced upon the pattern of Rossini . Some of the choruses are not ill - constructed , and an inter - act is well conceived ; but , as is the case with all ...
Pagina 120
... Honour and Arms " ( Samson ) Recit . and Air - Miss Paton- " If guiltless blood " ( Susanna ) Chorus- " Rex tremendę Majestatis ! " ( Requiem ) Quartetto Mrs. W. Knyvett , Messrs . W. Knyvett , Horncastle , and E. Taylor- " Recordare ...
... Honour and Arms " ( Samson ) Recit . and Air - Miss Paton- " If guiltless blood " ( Susanna ) Chorus- " Rex tremendę Majestatis ! " ( Requiem ) Quartetto Mrs. W. Knyvett , Messrs . W. Knyvett , Horncastle , and E. Taylor- " Recordare ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
accompaniment adapted admirable appear Aria arranged artist BALLAD bass beautiful Beethoven better Bochsa celebrated chapel character chord Chorus clarionet comma composed composition concert Cramer delightful Der Vampyr Donzelli dramatic duet effect English excellent execution expression favourite feeling fifth flute genius Glee grand HANDEL Harmonicon harmony Haydn heard HENRI HERZ honour instrument intervals introduced Italian Kapellmeister kind King's Theatre Knyvett Madame Malibran Madlle manner Masaniello master melody ment merit minor sixth minor third Miss Paton modulation Mozart musician never notes opera orchestra Otello overture passages perfect perfect fifth performed Philharmonic piano-forte pieces played pleasing poetry possess praise present produced QUADRILLES Recit remarks render respect RONDO Rossini Semiramide semitone shew Signor sing singer song Sontag sound spirit style success sung symphony talent taste Terzetto thing tion tone tune variations violin Violoncello vocal voice whole words