The Harmonicon, Volume 1;Volumes 3-11William Ayrton Gregg International Publishers, 1971 |
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Pagina 30
... kind , a knowledge of counter- point that would have done honour to the most experienced musician . Only one work of his composition has been published ; it is composed of three quatuors for two vio- lins , viola , and bass , which ...
... kind , a knowledge of counter- point that would have done honour to the most experienced musician . Only one work of his composition has been published ; it is composed of three quatuors for two vio- lins , viola , and bass , which ...
Pagina 46
... kind , difficult consequently to execute , are not in request , and there is no adequate motive for pub- lishing them . Besides which , who is there to produce such high works ? The Vicomte de Marin , the only man in our time who could ...
... kind , difficult consequently to execute , are not in request , and there is no adequate motive for pub- lishing them . Besides which , who is there to produce such high works ? The Vicomte de Marin , the only man in our time who could ...
Pagina 266
... kind . But as , in painting , no picture , however brilliant the colouring , and exquisite the design , can be perfect , unless the whole bear the stamp of a warm and creative genius , so is it in respect to music ; hence , in spite of ...
... kind . But as , in painting , no picture , however brilliant the colouring , and exquisite the design , can be perfect , unless the whole bear the stamp of a warm and creative genius , so is it in respect to music ; hence , in spite of ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
accompaniment adapted admirable appear Aria arranged artist BALLAD bass beautiful Beethoven better Bochsa celebrated chapel character chord Chorus clarionet comma composed composition concert Cramer delightful Der Vampyr Donzelli dramatic duet effect English excellent execution expression favourite feeling fifth flute genius Glee grand HANDEL Harmonicon harmony Haydn heard HENRI HERZ honour instrument intervals introduced Italian Kapellmeister kind King's Theatre Knyvett Madame Malibran Madlle manner Masaniello master melody ment merit minor sixth minor third Miss Paton modulation Mozart musician never notes opera orchestra Otello overture passages perfect perfect fifth performed Philharmonic piano-forte pieces played pleasing poetry possess praise present produced QUADRILLES Recit remarks render respect RONDO Rossini Semiramide semitone shew Signor sing singer song Sontag sound spirit style success sung symphony talent taste Terzetto thing tion tone tune variations violin Violoncello vocal voice whole words