The Harmonicon, Volumes 1-11William Ayrton Gregg International, 1971 |
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Pagina 28
... manner , The second precaution is , that you first play with the point of the bow ; and when that becomes easy to you , that you use that part of it which is between the point and the middle ; and when you are likewise mistress of this ...
... manner , The second precaution is , that you first play with the point of the bow ; and when that becomes easy to you , that you use that part of it which is between the point and the middle ; and when you are likewise mistress of this ...
Pagina 42
... manner . We pass on with much pleasure to a song in the Scotish manner , " Pledge me brim to brim , " written with a great deal of point and spirit , by Mr. Fitz - Ball , and composed by Mr. Rodwell . There is so much simplicity , such ...
... manner . We pass on with much pleasure to a song in the Scotish manner , " Pledge me brim to brim , " written with a great deal of point and spirit , by Mr. Fitz - Ball , and composed by Mr. Rodwell . There is so much simplicity , such ...
Pagina 136
... manner and guitar - like accompaniment of such airs render imitation very easy . This also is converted into a duet that will be listened to with considerable satisfaction . But the author has here , as in his other harmonized pieces ...
... manner and guitar - like accompaniment of such airs render imitation very easy . This also is converted into a duet that will be listened to with considerable satisfaction . But the author has here , as in his other harmonized pieces ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
accompaniment adapted admirable appear Aria arranged artist BALLAD bass beautiful Beethoven better Bochsa celebrated chapel character chord Chorus clarionet comma composed composition concert Cramer delightful Der Vampyr Donzelli dramatic duet effect English excellent execution expression favourite feeling fifth flute genius Glee grand HANDEL Harmonicon harmony Haydn heard HENRI HERZ honour instrument intervals introduced Italian Kapellmeister kind King's Theatre Knyvett Madame Malibran Madlle manner Masaniello master melody ment merit minor sixth minor third Miss Paton modulation Mozart musician never notes opera orchestra Otello overture passages perfect perfect fifth performed Philharmonic piano-forte pieces played pleasing poetry possess praise present produced QUADRILLES Recit remarks render respect RONDO Rossini Semiramide semitone shew Signor sing singer song Sontag sound spirit style success sung symphony talent taste Terzetto thing tion tone tune variations violin Violoncello vocal voice whole words