The Harmonicon, Volume 1;Volumes 3-11William Ayrton Gregg International Publishers, 1971 |
Vanuit het boek
Resultaten 1-3 van 78
Pagina 101
... perfect fifths , and dD perfect octave downwards : D is the interval of tone above c . Again , tune DA ' , A'e ' perfect fifths and e'g ' octave downwards . It is plain that bears the same relation to D that D does to c . Now try the ...
... perfect fifths , and dD perfect octave downwards : D is the interval of tone above c . Again , tune DA ' , A'e ' perfect fifths and e'g ' octave downwards . It is plain that bears the same relation to D that D does to c . Now try the ...
Pagina 128
... perfect in the chord of F , I tuned downwards D ' perfect fifth , making the minor chord D'FA quite perfect : then to D ' made F # , and to the last A both perfect major thirds , ( stopping one of the unisons of A ) and stopping one of ...
... perfect in the chord of F , I tuned downwards D ' perfect fifth , making the minor chord D'FA quite perfect : then to D ' made F # , and to the last A both perfect major thirds , ( stopping one of the unisons of A ) and stopping one of ...
Pagina 129
... perfect , and the major thirds a great deal sharper than perfect , and by such temperament the semitones are smaller ; but it is well known that this temperament cannot be borne on the organ , because the sounds being held out , the ...
... perfect , and the major thirds a great deal sharper than perfect , and by such temperament the semitones are smaller ; but it is well known that this temperament cannot be borne on the organ , because the sounds being held out , the ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
accompaniment adapted admirable appear Aria arranged artist BALLAD bass beautiful Beethoven better Bochsa celebrated chapel character chord Chorus clarionet comma composed composition concert Cramer delightful Der Vampyr Donzelli dramatic duet effect English excellent execution expression favourite feeling fifth flute genius Glee grand HANDEL Harmonicon harmony Haydn heard HENRI HERZ honour instrument intervals introduced Italian Kapellmeister kind King's Theatre Knyvett Madame Malibran Madlle manner Masaniello master melody ment merit minor sixth minor third Miss Paton modulation Mozart musician never notes opera orchestra Otello overture passages perfect perfect fifth performed Philharmonic piano-forte pieces played pleasing poetry possess praise present produced QUADRILLES Recit remarks render respect RONDO Rossini Semiramide semitone shew Signor sing singer song Sontag sound spirit style success sung symphony talent taste Terzetto thing tion tone tune variations violin Violoncello vocal voice whole words