The Harmonicon, Volume 1;Volumes 3-11William Ayrton Gregg International Publishers, 1971 |
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Pagina 14
... praise ; while he makes it impera- ments at least , one of them a fugue . They are all adapted tive on him to deny the assertion , should he not acquiesce to the genius of the instrument : we find no rapid pas- in the perfectness ...
... praise ; while he makes it impera- ments at least , one of them a fugue . They are all adapted tive on him to deny the assertion , should he not acquiesce to the genius of the instrument : we find no rapid pas- in the perfectness ...
Pagina 47
... praise of Christmas festivities , therefore comes too late , perhaps our readers may say , but is , never- theless , in good time . It is a song , and a chorus for three voices , part of the former and the whole of the latter being the ...
... praise of Christmas festivities , therefore comes too late , perhaps our readers may say , but is , never- theless , in good time . It is a song , and a chorus for three voices , part of the former and the whole of the latter being the ...
Pagina 144
... praise of what every Ancient knows by heart . The Philharmonic Concerts . FIFTH CONCERT , Monday , April 27 , 1829 . ACT I. Sinfonia , letter R .. · Recit . and Air , " Now heaven in fullest , " Signor Zu- CHELLI ( Creation ) Concerto ...
... praise of what every Ancient knows by heart . The Philharmonic Concerts . FIFTH CONCERT , Monday , April 27 , 1829 . ACT I. Sinfonia , letter R .. · Recit . and Air , " Now heaven in fullest , " Signor Zu- CHELLI ( Creation ) Concerto ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
accompaniment adapted admirable appear Aria arranged artist BALLAD bass beautiful Beethoven better Bochsa celebrated chapel character chord Chorus clarionet comma composed composition concert Cramer delightful Der Vampyr Donzelli dramatic duet effect English excellent execution expression favourite feeling fifth flute genius Glee grand HANDEL Harmonicon harmony Haydn heard HENRI HERZ honour instrument intervals introduced Italian Kapellmeister kind King's Theatre Knyvett Madame Malibran Madlle manner Masaniello master melody ment merit minor sixth minor third Miss Paton modulation Mozart musician never notes opera orchestra Otello overture passages perfect perfect fifth performed Philharmonic piano-forte pieces played pleasing poetry possess praise present produced QUADRILLES Recit remarks render respect RONDO Rossini Semiramide semitone shew Signor sing singer song Sontag sound spirit style success sung symphony talent taste Terzetto thing tion tone tune variations violin Violoncello vocal voice whole words