The Nineteenth Century and After, Volume 109Leonard Scott Publishing Company, 1931 |
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Pagina 43
... Persian loom can forget its exquisite design or its harmonious colouring mellowed by time ? Nor is there any lack of variety , since each tribe and each district uses different designs , ranging from the dark , wine - red Turkoman ...
... Persian loom can forget its exquisite design or its harmonious colouring mellowed by time ? Nor is there any lack of variety , since each tribe and each district uses different designs , ranging from the dark , wine - red Turkoman ...
Pagina 44
... Persian painting have come down to us from early days , but we know that , while Persian influence on Byzantine painting was supreme , Byzantium also influenced the Persian school . The sack of Baghdad , terrible catastrophe though it ...
... Persian painting have come down to us from early days , but we know that , while Persian influence on Byzantine painting was supreme , Byzantium also influenced the Persian school . The sack of Baghdad , terrible catastrophe though it ...
Pagina 45
... Persian models . We now come to the goldsmiths and other workers in metals . Under the Achæmenian dynasty the art of the goldsmiths had reached a high pitch , as the Oxus Treasure in the British Museum proves . To take two examples ...
... Persian models . We now come to the goldsmiths and other workers in metals . Under the Achæmenian dynasty the art of the goldsmiths had reached a high pitch , as the Oxus Treasure in the British Museum proves . To take two examples ...
Inhoudsopgave
AN UNPUBLISHED SONNET BY GEORGE MEREDITH communicated | 5 |
A PIGTALE FOR MANDARINS By A L Hetherington | 99 |
THE POETRY OF Edmund BLUNDEN By Rev Francis E Barker | 115 |
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