Strange Bedfellows: The First American Avant-garde
This book tells the story of the first American avant-garde in art, poetry and the theatre. The people discussed in this book include Ezra Pound, Gertrude Stein, Marcel Duchamp and the Stettheimer sisters. The author suggests that this exchange of ideas transformed modern culture. Quotations from letters, diaries and interviews enliven this history. The development of the avant-garde depended as much on social intercourse, whether sexual, suppressed or platonic, as on aesthetics. By the time of the 1913 Armory Show, bohemia had made a home for itself in New York's Greenwich Village.
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After Harriet Shaw Weaver assumed the positions of editor and publisher in June 1914 , the magazine's emphasis on literature intensified . During her tenure the magazine was generously opened to modern literature , and it became ...
JUNE Pound meets Wright of the Smart Set and tries to parlay this relationship into another publishing outlet . After Pound presumptuously sends the magazine Robert Frost's " Death of the FarmHand , " Frost ends his brief alliance with ...
Moore makes her American debut in Poetry JUNE E. E. Cummings delivers a commencement address at Harvard , " The New Art . " He quotes one of Lowell's poems and notes its “ clear development from the ordinary to the abnormal .
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LibraryThing ReviewGebruikersrecensie - giovannigf - LibraryThing
Exhaustive, rollicking, and fascinating account of the poets, artists, patrons, and bohemians who brought, developed, and promoted modernism in/to America. Highly recommended. Volledige review lezen
Strange bedfellows: the first American avant-gardeGebruikersrecensie - Not Available - Book Verdict
This book chronicles the rise of American modernism through a "group portrait of a small band of cultural renegades'' who comprised avant-garde circles from 1913 to 1917 in New York, Cambridge ... Volledige review lezen
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