Strange Bedfellows: The First American Avant-garde
This book tells the story of the first American avant-garde in art, poetry and the theatre. The people discussed in this book include Ezra Pound, Gertrude Stein, Marcel Duchamp and the Stettheimer sisters. The author suggests that this exchange of ideas transformed modern culture. Quotations from letters, diaries and interviews enliven this history. The development of the avant-garde depended as much on social intercourse, whether sexual, suppressed or platonic, as on aesthetics. By the time of the 1913 Armory Show, bohemia had made a home for itself in New York's Greenwich Village.
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In his informal , unpaid role as the magazine ' s art editor , John Sloan skillfully
led this cadre with confidence and an unwavering commitment to socialist
principles . His technical expertise in magazine production enabled him to
Dell lauded the magazine in the Friday Literary Review but ended by wondering ,
" Is this new magazine to be given exclusively to praise rather than to the art of
criticism ? " 34 Lowell considered it " amateurish and effervescent . " 35 Pound ...
The forerunners of the Egoist were two feminist magazines — — the Freewoman
( November 1911 - August 1912 ) and ... After Harriet Shaw Weaver assumed the
positions of editor and publisher in June 1914 , the magazine ' s emphasis on ...
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LibraryThing ReviewGebruikersrecensie - giovannigf - LibraryThing
Exhaustive, rollicking, and fascinating account of the poets, artists, patrons, and bohemians who brought, developed, and promoted modernism in/to America. Highly recommended. Volledige review lezen
Strange bedfellows: the first American avant-gardeGebruikersrecensie - Not Available - Book Verdict
This book chronicles the rise of American modernism through a "group portrait of a small band of cultural renegades'' who comprised avant-garde circles from 1913 to 1917 in New York, Cambridge ... Volledige review lezen
THE SELLING OF BOHEMIA
NEW YORK HOSTS TOUT LE MONDE
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