English Prose: Its Elements, History, and Usage

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Smith, Elder & Company, 1890 - 530 pagina's
 

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Pagina 189 - It is now sixteen or seventeen years since I saw the Queen of France, then the dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she just began to move in— glittering like the morning star, full of life, and splendour, and joy.
Pagina 356 - I was confirmed in this opinion, that he, who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem, that is a composition and pattern of the best and honourablest things, not presuming to sing high praises of heroic men or famous cities, unless he have in himself the experience and the practice of all that which is praiseworthy.
Pagina 270 - William Coleman, then a merchant's clerk, about my age, who had the coolest, clearest head, the best heart, and the exactest morals of almost any man I ever met with.
Pagina 252 - Of sentiments purely religious, it will be found that the most simple expression is the most sublime. Poetry loses its lustre and its power, because it is applied to the decoration of something more excellent than itself.
Pagina 521 - Metaphors are her stuff : examine Language; what, if you except some few primitive elements (of natural sound), what is it all but Metaphors, recognised as such, or no longer recognised...
Pagina 356 - Next (for hear me out now, readers), that I may tell ye whither my younger feet wandered ; I betook me among those lofty fables and romances, which recount in solemn cantos the deeds of knighthood founded by our victorious kings, and from hence had in renown over all Christendom.
Pagina 446 - ... on hard to that high and happy emulation to be found the soberest, wisest, and most Christian people...
Pagina 342 - Sometimes it lieth in pat allusion to a known story, or in seasonable application of a trivial saying, or in forging an apposite tale ; sometimes it playeth in words and phrases, taking advantage from the ambiguity of their sense, or the affinity of their sound ; sometimes it is wrapped in a dress of...
Pagina 346 - Criticism, either didactic or defensive, occupies almost all his prose, except those pages which he has devoted to his patrons ; but none of his prefaces were ever thought tedious. They have not the formality of a settled style, in which the first half of the sentence betrays the other.
Pagina 189 - Fancy can hardly forbear to conjecture with what temper Milton surveyed the silent progress of his work, and marked his reputation stealing its way in a kind of subterraneous current, through fear and silence. I cannot but conceive him calm and confident, little disappointed, not at all dejected, relying on his own merit with steady consciousness, and waiting without impatience the vicissitudes of opinion, and the...

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