Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 pagina's This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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Pagina 12
... Shakespeare's sonnets give the reader the illusion of personal confessions than those of any contemporary , but when allowance has been made for the current conventions of Elizabethan sonneteering , as well as for Shakespeare's ...
... Shakespeare's sonnets give the reader the illusion of personal confessions than those of any contemporary , but when allowance has been made for the current conventions of Elizabethan sonneteering , as well as for Shakespeare's ...
Pagina 32
... Shakespeare's typical use of antithesis by which concepts “ tend to be summoned in pairs : increase and decrease , ripening and dying ; famine and abundance , hoarding and waste ; gluttony , debt . " Most impor- tantly , we note ...
... Shakespeare's typical use of antithesis by which concepts “ tend to be summoned in pairs : increase and decrease , ripening and dying ; famine and abundance , hoarding and waste ; gluttony , debt . " Most impor- tantly , we note ...
Pagina 385
... Shakespeare's Sonnet 69. " Notes and Queries 45 : 355–57 . 2002. A Grammar of Shakespeare's Language . New York : Palgrave . Boccaccio , John . 1980. The Decameron . Anonymous translation 1620. Norwalk , CT : Easton Press . Booth ...
... Shakespeare's Sonnet 69. " Notes and Queries 45 : 355–57 . 2002. A Grammar of Shakespeare's Language . New York : Palgrave . Boccaccio , John . 1980. The Decameron . Anonymous translation 1620. Norwalk , CT : Easton Press . Booth ...
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Shakespeare's Sonnets: With Three Hundred Years of Commentary William Shakespeare Gedeeltelijke weergave - 2007 |
Veelvoorkomende woorden en zinsdelen
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM