Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's "dirty War"Duke University Press, 1997 - 309 pagina's In Disappearing Acts, Diana Taylor looks at how national identity is shaped, gendered, and contested through spectacle and spectatorship. The specific identity in question is that of Argentina, and Taylor's focus is directed toward the years 1976 to 1983 in which the Argentine armed forces were pitted against the Argentine people in that nation's "Dirty War." Combining feminism, cultural studies, and performance theory, Taylor analyzes the political spectacles that comprised the war--concentration camps, torture, "disappearances"--as well as the rise of theatrical productions, demonstrations, and other performative practices that attempted to resist and subvert the Argentine military. Taylor uses performance theory to explore how public spectacle both builds and dismantles a sense of national and gender identity. Here, nation is understood as a product of communal "imaginings" that are rehearsed, written, and staged--and spectacle is the desiring machine at work in those imaginings. Taylor argues that the founding scenario of Argentineness stages the struggle for national identity as a battle between men--fought on, over, and through the feminine body of the Motherland. She shows how the military's representations of itself as the model of national authenticity established the parameters of the conflict in the 70s and 80s, feminized the enemy, and positioned the public--limiting its ability to respond. Those who challenged the dictatorship, from the Mothers of the Plaza de Mayo to progressive theater practitioners, found themselves in what Taylor describes as "bad scripts." Describing the images, myths, performances, and explanatory narratives that have informed Argentina's national drama, Disappearing Acts offers a telling analysis of the aesthetics of violence and the disappearance of civil society during Argentina's spectacle of terror. |
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Pagina 29
... historical facticity ) . The terms spectacle , drama , scenario , and myth are not antithetical to historical or material " reality . " Rather , they are fundamental to political life , as the political theorist Antonio Gramsci notes ...
... historical facticity ) . The terms spectacle , drama , scenario , and myth are not antithetical to historical or material " reality . " Rather , they are fundamental to political life , as the political theorist Antonio Gramsci notes ...
Pagina 96
... historical moments , will need different kinds of bodies . Cities and other national spaces contain humans , much as those humans become the containers of social and national images and values . I've come to think of the Dirty War as a ...
... historical moments , will need different kinds of bodies . Cities and other national spaces contain humans , much as those humans become the containers of social and national images and values . I've come to think of the Dirty War as a ...
Pagina 212
... historical . " One of the reasons for restaging the Antigone story against the backdrop of a classical tragedy is to underline the specificity of the recomposition , the history of Argentina in the 1970s and 1980s . Death and sacrifice ...
... historical . " One of the reasons for restaging the Antigone story against the backdrop of a classical tragedy is to underline the specificity of the recomposition , the history of Argentina in the 1970s and 1980s . Death and sacrifice ...
Inhoudsopgave
Gendering the National Self | 29 |
Military Males Bad Women and a Dirty Dirty | 59 |
Performing | 91 |
Copyright | |
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Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's ... Diana Taylor Gedeeltelijke weergave - 1997 |
Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's ... Diana Taylor Geen voorbeeld beschikbaar - 1997 |
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