Dada, Art and Anti-art, Volume 10 |
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Pagina 108
His aggressive , hell - raising propensities needed no prompting from Dada .
Thus we do not know who was the real father of the Berlin Dada movement , but ,
as the two candidates for the title both have the same initials , the chronicler can ...
His aggressive , hell - raising propensities needed no prompting from Dada .
Thus we do not know who was the real father of the Berlin Dada movement , but ,
as the two candidates for the title both have the same initials , the chronicler can ...
Pagina 130
En avant dada is a brilliantly written pamphlet which condemns all art , including
that of the brilliantly written pamphlet . First and foremost , it is a statement of
policy on behalf of Berlin Dada at a time when Huelsenbeck , Hausmann and ...
En avant dada is a brilliantly written pamphlet which condemns all art , including
that of the brilliantly written pamphlet . First and foremost , it is a statement of
policy on behalf of Berlin Dada at a time when Huelsenbeck , Hausmann and ...
Pagina 235
Berlin , Die Aktion , 1918 . Der Weg nach unten . Neuwied , Luchterhand , 1961 .
MEHRING , Walter . The Lost Library : the Autobiography of a Culture . New York
, 1991 . Berlin - Dada . Zurich , 1959 . HUELSENBECK , Richard . Phantastische
...
Berlin , Die Aktion , 1918 . Der Weg nach unten . Neuwied , Luchterhand , 1961 .
MEHRING , Walter . The Lost Library : the Autobiography of a Culture . New York
, 1991 . Berlin - Dada . Zurich , 1959 . HUELSENBECK , Richard . Phantastische
...
Wat mensen zeggen - Een review schrijven
LibraryThing Review
Gebruikersrecensie - tallangatta - LibraryThingA wonderful exuberant and conversational first-hand account of the activities of the Zurich Dadaists. One of my favourite books of all. Volledige review lezen
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
abstract active already anti-art appeared artistic audience Baader Ball became become began Berlin Breton brought Cabaret called chance close collages colours continued critic Dada Dadaist developed DIEGO direct drawing Duchamp everything exhibition experience expression finally followed Francis freedom friends gallery gave Grosz hand Hausmann head Huelsenbeck human ideas individual Italy Janco Kurt language later less lived looked manifesto Marcel Max Ernst meaning mind movement nature never objects painter painting Paris performance periodical Picabia played poems poet poetry political Pop Art produced published remained Ribemont-Dessaignes Richter Schwitters seemed showed side sound spirit Surrealism Suzanne Duchamp taken things took Tristan Tzara true turned Tzara UNIVERSITY wanted whole writes York Zurich