Dada, Art and Anti-art, Volume 10 |
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Pagina 28
On 15th September at three o'clock in the afternoon , I was in the Café de la
Terrasse – and there , waiting for me , sat Ferdinand Hardekopf and Albert
Ehrenstein . This unlikely encounter , like something in a dream , was followed by
another .
On 15th September at three o'clock in the afternoon , I was in the Café de la
Terrasse – and there , waiting for me , sat Ferdinand Hardekopf and Albert
Ehrenstein . This unlikely encounter , like something in a dream , was followed by
another .
Pagina 67
Private Lives : The Café Odéon When I arrived in Zurich in August 1916 , the
artists and intellectuals used to meet in the Café de la Terrasse . Only a few
months later , we moved to the Café Odéon . The waiters at the Terrasse had
gone on ...
Private Lives : The Café Odéon When I arrived in Zurich in August 1916 , the
artists and intellectuals used to meet in the Café de la Terrasse . Only a few
months later , we moved to the Café Odéon . The waiters at the Terrasse had
gone on ...
Pagina 135
Sharp and quick as a weasel , he darts across Europe from one café to another ,
from one radio or television station to another , reading works whose literary
quality is not one whit less high than it was in the days of Dada . He still works at
a ...
Sharp and quick as a weasel , he darts across Europe from one café to another ,
from one radio or television station to another , reading works whose literary
quality is not one whit less high than it was in the days of Dada . He still works at
a ...
Wat mensen zeggen - Een review schrijven
LibraryThing Review
Gebruikersrecensie - tallangatta - LibraryThingA wonderful exuberant and conversational first-hand account of the activities of the Zurich Dadaists. One of my favourite books of all. Volledige review lezen
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
abstract active already anti-art appeared artistic audience Baader Ball became become began Berlin Breton brought Cabaret called chance close collages colours continued critic Dada Dadaist developed DIEGO direct drawing Duchamp everything exhibition experience expression finally followed Francis freedom friends gallery gave Grosz hand Hausmann head Huelsenbeck human ideas individual Italy Janco Kurt language later less lived looked manifesto Marcel Max Ernst meaning mind movement nature never objects painter painting Paris performance periodical Picabia played poems poet poetry political Pop Art produced published remained Ribemont-Dessaignes Richter Schwitters seemed showed side sound spirit Surrealism Suzanne Duchamp taken things took Tristan Tzara true turned Tzara UNIVERSITY wanted whole writes York Zurich