Dada, Art and Anti-art, Volume 10 |
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Pagina 62
One day early in 1918 , Tzara knocked on the thin partition between our rooms in
the Hotel Limmatquai in Zurich , and asked me to come and meet the Swedish
painter Viking Eggeling . He had mentioned this artist several times before , and ...
One day early in 1918 , Tzara knocked on the thin partition between our rooms in
the Hotel Limmatquai in Zurich , and asked me to come and meet the Swedish
painter Viking Eggeling . He had mentioned this artist several times before , and ...
Pagina 63
As his starting - point , Eggeling had taken the most elementary pictorial element ,
the line , and he was working on what he called its ' orchestration ' ( a concept
first used by Gauguin in speaking of colour ) . This was the interplay of ...
As his starting - point , Eggeling had taken the most elementary pictorial element ,
the line , and he was working on what he called its ' orchestration ' ( a concept
first used by Gauguin in speaking of colour ) . This was the interplay of ...
Pagina 228
... Chirico rolls the Dada statue out full length Louis Aragon invents streets Ph .
Soupault Eggeling Richter the pretty bird drum Huelsenbeck , the splendours
Hardekopf and Serner - SERNER - Ser serves the cablegram Art is dead etc.
... Chirico rolls the Dada statue out full length Louis Aragon invents streets Ph .
Soupault Eggeling Richter the pretty bird drum Huelsenbeck , the splendours
Hardekopf and Serner - SERNER - Ser serves the cablegram Art is dead etc.
Wat mensen zeggen - Een review schrijven
LibraryThing Review
Gebruikersrecensie - tallangatta - LibraryThingA wonderful exuberant and conversational first-hand account of the activities of the Zurich Dadaists. One of my favourite books of all. Volledige review lezen
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
abstract active already anti-art appeared artistic audience Baader Ball became become began Berlin Breton brought Cabaret called chance close collages colours continued critic Dada Dadaist developed DIEGO direct drawing Duchamp everything exhibition experience expression finally followed Francis freedom friends gallery gave Grosz hand Hausmann head Huelsenbeck human ideas individual Italy Janco Kurt language later less lived looked manifesto Marcel Max Ernst meaning mind movement nature never objects painter painting Paris performance periodical Picabia played poems poet poetry political Pop Art produced published remained Ribemont-Dessaignes Richter Schwitters seemed showed side sound spirit Surrealism Suzanne Duchamp taken things took Tristan Tzara true turned Tzara UNIVERSITY wanted whole writes York Zurich