Dada, Art and Anti-art, Volume 10 |
Vanuit het boek
Resultaten 1-3 van 25
Pagina 19
His crafty grin was full of humour but also full of tricks ; there was never a dull
moment with him . Always on the move , chattering away in German , French or
Rumanian , he was the natural antithesis of the quiet , thoughtful Ball – and , like
Ball ...
His crafty grin was full of humour but also full of tricks ; there was never a dull
moment with him . Always on the move , chattering away in German , French or
Rumanian , he was the natural antithesis of the quiet , thoughtful Ball – and , like
Ball ...
Pagina 76
Marie Laurencin was married to Baron von Waetgen , a German , and had
followed him to Spain after her lover Guillaume Apollinaire had left for the war in
which he was killed . As she was married to a German , she was regarded as a ...
Marie Laurencin was married to Baron von Waetgen , a German , and had
followed him to Spain after her lover Guillaume Apollinaire had left for the war in
which he was killed . As she was married to a German , she was regarded as a ...
Pagina 162
His weird visions have their origins in the German art of the Middle Ages and the
Romantic period . They recapture the fearful concreteness and depth of a Dürer
or a Schongauer , the emotional , often sentimental Romanticism of a Caspar ...
His weird visions have their origins in the German art of the Middle Ages and the
Romantic period . They recapture the fearful concreteness and depth of a Dürer
or a Schongauer , the emotional , often sentimental Romanticism of a Caspar ...
Wat mensen zeggen - Een review schrijven
LibraryThing Review
Gebruikersrecensie - tallangatta - LibraryThingA wonderful exuberant and conversational first-hand account of the activities of the Zurich Dadaists. One of my favourite books of all. Volledige review lezen
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
abstract active already anti-art appeared artistic audience Baader Ball became become began Berlin Breton brought Cabaret called chance close collages colours continued critic Dada Dadaist developed DIEGO direct drawing Duchamp everything exhibition experience expression finally followed Francis freedom friends gallery gave Grosz hand Hausmann head Huelsenbeck human ideas individual Italy Janco Kurt language later less lived looked manifesto Marcel Max Ernst meaning mind movement nature never objects painter painting Paris performance periodical Picabia played poems poet poetry political Pop Art produced published remained Ribemont-Dessaignes Richter Schwitters seemed showed side sound spirit Surrealism Suzanne Duchamp taken things took Tristan Tzara true turned Tzara UNIVERSITY wanted whole writes York Zurich