Dada, Art and Anti-art, Volume 10 |
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Pagina 20
Tzara's anti - friend , the poet and physician Richard Huelsenbeck , was hardly
inferior to him in lung - power or in pugnacity . He was very much at home in the
turbulent setting of the Cabaret Voltaire , which he had entered by reason of his ...
Tzara's anti - friend , the poet and physician Richard Huelsenbeck , was hardly
inferior to him in lung - power or in pugnacity . He was very much at home in the
turbulent setting of the Cabaret Voltaire , which he had entered by reason of his ...
Pagina 224
Verses by Richard Huelsenbeck 7 woodcuts by Arp , Collection Dada . “ indigo
indigo / streetcar sleeping - bag / bedbug and flea / indigo indigai / umbaliska /
bumm Dadai ” / “ brrs pffi commencer Abrr rpppi commence beginning beginning
...
Verses by Richard Huelsenbeck 7 woodcuts by Arp , Collection Dada . “ indigo
indigo / streetcar sleeping - bag / bedbug and flea / indigo indigai / umbaliska /
bumm Dadai ” / “ brrs pffi commencer Abrr rpppi commence beginning beginning
...
Pagina 230
( Catalogue of exhibition organized by the Düsseldorfer Kunstverein . ) MUCHE ,
Georg . Blickpunkt ; Sturm , Dada , Bauhaus , Gegenwart . Munich , 1961 .
HUELSENBECK , Richard . Dada ; eine literarische Dokumentation , Hamburg ,
1964.
( Catalogue of exhibition organized by the Düsseldorfer Kunstverein . ) MUCHE ,
Georg . Blickpunkt ; Sturm , Dada , Bauhaus , Gegenwart . Munich , 1961 .
HUELSENBECK , Richard . Dada ; eine literarische Dokumentation , Hamburg ,
1964.
Wat mensen zeggen - Een review schrijven
LibraryThing Review
Gebruikersrecensie - tallangatta - LibraryThingA wonderful exuberant and conversational first-hand account of the activities of the Zurich Dadaists. One of my favourite books of all. Volledige review lezen
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
abstract active already anti-art appeared artistic audience Baader Ball became become began Berlin Breton brought Cabaret called chance close collages colours continued critic Dada Dadaist developed DIEGO direct drawing Duchamp everything exhibition experience expression finally followed Francis freedom friends gallery gave Grosz hand Hausmann head Huelsenbeck human ideas individual Italy Janco Kurt language later less lived looked manifesto Marcel Max Ernst meaning mind movement nature never objects painter painting Paris performance periodical Picabia played poems poet poetry political Pop Art produced published remained Ribemont-Dessaignes Richter Schwitters seemed showed side sound spirit Surrealism Suzanne Duchamp taken things took Tristan Tzara true turned Tzara UNIVERSITY wanted whole writes York Zurich