Dada, Art and Anti-art, Volume 10 |
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Pagina 36
It was Dr Walter Serner ( Ill . 15 ) . He was a nihilist and published an appropriate
periodical called Sirius . Serner , a tall , elegant Austrian who wore a monocle , or
sometimes pince - nez , seemed made to measure to complete the “ Voltaire ...
It was Dr Walter Serner ( Ill . 15 ) . He was a nihilist and published an appropriate
periodical called Sirius . Serner , a tall , elegant Austrian who wore a monocle , or
sometimes pince - nez , seemed made to measure to complete the “ Voltaire ...
Pagina 37
( Walter Serner ) at man only w le inte l US ter ܂ܕ ' i 09 Serner's friend and
collaborator , Christian Schad ( Ill . 64 ) also sometimes joined the Dada circle .
After painting expressionist - cum - naturalist portraits of Marietta , Serner and
others ...
( Walter Serner ) at man only w le inte l US ter ܂ܕ ' i 09 Serner's friend and
collaborator , Christian Schad ( Ill . 64 ) also sometimes joined the Dada circle .
After painting expressionist - cum - naturalist portraits of Marietta , Serner and
others ...
Pagina 232
Proverbe . Ed . by Paul Eluard . Paris , 1920 . Das Hirngeschwür . Per . Ed :
Walter Serner . Zürich , 1919 ( not published ) . Rongwrong . Ed . by Marcel
Duchamp . New York , 1917. ( One number only . ) Jedermann sein eigner
Fussball . Per .
Proverbe . Ed . by Paul Eluard . Paris , 1920 . Das Hirngeschwür . Per . Ed :
Walter Serner . Zürich , 1919 ( not published ) . Rongwrong . Ed . by Marcel
Duchamp . New York , 1917. ( One number only . ) Jedermann sein eigner
Fussball . Per .
Wat mensen zeggen - Een review schrijven
LibraryThing Review
Gebruikersrecensie - tallangatta - LibraryThingA wonderful exuberant and conversational first-hand account of the activities of the Zurich Dadaists. One of my favourite books of all. Volledige review lezen
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
abstract active already anti-art appeared artistic audience Baader Ball became become began Berlin Breton brought Cabaret called chance close collages colours continued critic Dada Dadaist developed DIEGO direct drawing Duchamp everything exhibition experience expression finally followed Francis freedom friends gallery gave Grosz hand Hausmann head Huelsenbeck human ideas individual Italy Janco Kurt language later less lived looked manifesto Marcel Max Ernst meaning mind movement nature never objects painter painting Paris performance periodical Picabia played poems poet poetry political Pop Art produced published remained Ribemont-Dessaignes Richter Schwitters seemed showed side sound spirit Surrealism Suzanne Duchamp taken things took Tristan Tzara true turned Tzara UNIVERSITY wanted whole writes York Zurich