Dada, Art and Anti-art, Volume 10Oxford University Press, 1978 - 246 pagina's |
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Pagina 99
... film- developer and the film was wound around these four hundred nails , to be bathed and developed just like any photographic film . " But in this process the film , that is the emulsion , stuck together and could not be disentangled ...
... film- developer and the film was wound around these four hundred nails , to be bathed and developed just like any photographic film . " But in this process the film , that is the emulsion , stuck together and could not be disentangled ...
Pagina 198
... films , the film music was perfor- med according to a roll of paper that unrolled in front of the conductor's music- stand at the same speed as the film . This was the invention of a certain Herr Blum . Without really meaning to , this film ...
... films , the film music was perfor- med according to a roll of paper that unrolled in front of the conductor's music- stand at the same speed as the film . This was the invention of a certain Herr Blum . Without really meaning to , this film ...
Pagina 221
... film was a logical next step . In 1921 , Richter finished his first abstract film , Rhythmus 21 , the rhythmical development of a single formal element , the rectangle , chosen because the rectangular shape of the screen is basic to the ...
... film was a logical next step . In 1921 , Richter finished his first abstract film , Rhythmus 21 , the rhythmical development of a single formal element , the rectangle , chosen because the rectangular shape of the screen is basic to the ...
Inhoudsopgave
Foreword | 7 |
its members and collaborators | 18 |
The Cabaret Voltaire becomes Dada | 30 |
Copyright | |
21 andere gedeelten niet getoond
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abstract aesthetic André Breton Anna Blume anti-art anti-artistic Apollinaire appeared Aragon artistic audience Baader Baargeld Barrès became bee bee bee Berlin Dada blutige Ernst bourgeois Cabaret Voltaire Café called cardboard chance collages Cologne colours Cravan critic Cubist Dada movement Dada period Dada's Dadaist dance Dermée Doesburg Eggeling Éluard ERSITY exhibition film France Francis Picabia freedom friends Futurist gallery gave George Grosz Hanover Hans Arp Hans Richter Heartfield Herr Hugo Ball human ideas individual Jung Kandinsky Kurt Schwitters later lived manifestoes Marcel Duchamp Marcel Janco Max Ernst Merz modern Neo-Dada never objects painter painting Paris Dada Péret phonetic poem Photomontage played poème poet poetry Portrait published Raoul Hausmann ready-mades Rees Ribemont-Dessaignes Richard Huelsenbeck Richter SAN DIEGO Serner Soupault Stieglitz Surrealism Surrealist Taeuber technique things took totally Tristan Tzara Vaché word York zee zee zee Zurich Dada