Dada, Art and Anti-art, Volume 10Oxford University Press, 1978 - 246 pagina's |
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Pagina 33
... manifesto was a literary genre which suited Tzara perfectly . " The new artist protests ; he no longer paints ( symbolical and illusionist reproduction ) but creates directly in stone , wood or iron , rocks which are locomotive ...
... manifesto was a literary genre which suited Tzara perfectly . " The new artist protests ; he no longer paints ( symbolical and illusionist reproduction ) but creates directly in stone , wood or iron , rocks which are locomotive ...
Pagina 103
... manifesto . Tzara had enunciated this principle as early as 1916. From the day the Cabaret Voltaire opened its doors , we read and wrote manifestos . We did not only read them , we spoke them as vociferously and defiantly as we could ...
... manifesto . Tzara had enunciated this principle as early as 1916. From the day the Cabaret Voltaire opened its doors , we read and wrote manifestos . We did not only read them , we spoke them as vociferously and defiantly as we could ...
Pagina 104
... Manifesto " Art in its execution and direction is dependent on the time in which it lives , and artists are creatures of their epoch . The highest art will be that which in its conscious content presents the thousandfold problems of the ...
... Manifesto " Art in its execution and direction is dependent on the time in which it lives , and artists are creatures of their epoch . The highest art will be that which in its conscious content presents the thousandfold problems of the ...
Inhoudsopgave
Foreword | 7 |
its members and collaborators | 18 |
The Cabaret Voltaire becomes Dada | 30 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
abstract aesthetic André Breton Anna Blume anti-art anti-artistic Apollinaire appeared Aragon artistic audience Baader Baargeld Barrès became bee bee bee Berlin Dada blutige Ernst bourgeois Cabaret Voltaire Café called cardboard chance collages Cologne colours Cravan critic Cubist Dada movement Dada period Dada's Dadaist dance Dermée Doesburg Eggeling Éluard ERSITY exhibition film France Francis Picabia freedom friends Futurist gallery gave George Grosz Hanover Hans Arp Hans Richter Heartfield Herr Hugo Ball human ideas individual Jung Kandinsky Kurt Schwitters later lived manifestoes Marcel Duchamp Marcel Janco Max Ernst Merz modern Neo-Dada never objects painter painting Paris Dada Péret phonetic poem Photomontage played poème poet poetry Portrait published Raoul Hausmann ready-mades Rees Ribemont-Dessaignes Richard Huelsenbeck Richter SAN DIEGO Serner Soupault Stieglitz Surrealism Surrealist Taeuber technique things took totally Tristan Tzara Vaché word York zee zee zee Zurich Dada