Dada, Art and Anti-art, Volume 10 |
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Pagina 12
The Swiss Dada movement , which carried others after it and with it , began in Zurich , at the Cabaret Voltaire , at the beginning of 1916. No national , aesthetic or historical interpretation or manipulation can alter this fact ...
The Swiss Dada movement , which carried others after it and with it , began in Zurich , at the Cabaret Voltaire , at the beginning of 1916. No national , aesthetic or historical interpretation or manipulation can alter this fact ...
Pagina 49
Our search , as visual artists , for the true ' language of Paradise ' went much deeper than the wild anti - art propaganda of the movement's published statements , which was based on social , moral and psychological arguments .
Our search , as visual artists , for the true ' language of Paradise ' went much deeper than the wild anti - art propaganda of the movement's published statements , which was based on social , moral and psychological arguments .
Pagina 108
Thus we do not know who was the real father of the Berlin Dada movement , but , as the two candidates for the title both have the same initials , the chronicler can best avoid error by awarding the disputed honour to ' RH ' and leaving ...
Thus we do not know who was the real father of the Berlin Dada movement , but , as the two candidates for the title both have the same initials , the chronicler can best avoid error by awarding the disputed honour to ' RH ' and leaving ...
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LibraryThing Review
Gebruikersrecensie - tallangatta - LibraryThingA wonderful exuberant and conversational first-hand account of the activities of the Zurich Dadaists. One of my favourite books of all. Volledige review lezen
Inhoudsopgave
Foreword 79 | 7 |
391 | 68 |
New York Dada 19151920 | 81 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
abstract activities already anti-art appeared artistic audience Baader Ball became become began Berlin Breton brought Cabaret Voltaire CALIFORNIA called chance close collages colours critic Dada Dadaist developed DIEGO direction drawing Duchamp exhibition experience expression fact finally followed France Franz Jung freedom friends gallery gave German Grosz hand Hausmann head Huelsenbeck human ideas individual Italy Janco later less LIBRARY lived looked manifesto Marcel Max Ernst meaning mind movement nature never objects painter painting Paris performance periodical Picabia played poems poet poetry political Pop Art possible present produced published Richter Schwitters seemed Serner showed side sound taken things took Tristan Tzara true turned Tzara UNIVERSITY wanted whole writes York Zurich