Dada, Art and Anti-art, Volume 10 |
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Pagina 60
This radical attack on dualistic thought was in the very nature of the movement . The liberation and expansion of thought and feeling was to be followed by the integration of both in verse , in painting , and in musical sound .
This radical attack on dualistic thought was in the very nature of the movement . The liberation and expansion of thought and feeling was to be followed by the integration of both in verse , in painting , and in musical sound .
Pagina 86
The provocative side of his nature , when drunk ( Gabrielle Buffet says he was a charming man when he was sober ) seems to have counted more strongly in his favour , thanks to Dada , than his gifts as a poet and critic .
The provocative side of his nature , when drunk ( Gabrielle Buffet says he was a charming man when he was sober ) seems to have counted more strongly in his favour , thanks to Dada , than his gifts as a poet and critic .
Pagina 215
By its nature , Dada could find articulate expression only in the realm where Mind is active independently of its own logical manifestations - that is , in art . . True , the spirit of contradiction disposed of the outworn conception of ...
By its nature , Dada could find articulate expression only in the realm where Mind is active independently of its own logical manifestations - that is , in art . . True , the spirit of contradiction disposed of the outworn conception of ...
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LibraryThing Review
Gebruikersrecensie - tallangatta - LibraryThingA wonderful exuberant and conversational first-hand account of the activities of the Zurich Dadaists. One of my favourite books of all. Volledige review lezen
Inhoudsopgave
Foreword | 7 |
New York Dada 1915_1920 | 81 |
Berlin Dada 19181923 | 101 |
Copyright | |
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Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abstract activities already anti-art appeared artistic audience Baader Ball became become began Berlin Breton brought Cabaret Voltaire called chance close collages colours critic Dada Dadaist developed DIEGO direction drawing Duchamp elements everything exhibition experience expression fact finally followed France freedom friends gallery gave German Grosz hand Hausmann head Huelsenbeck human ideas individual Italy Janco language later less LIBRARY lived looked manifesto Marcel Max Ernst meaning mind movement nature never objects painter painting Paris performance periodical Picabia played poems poet poetry political Pop Art possible present produced published remained Richter Schwitters seemed showed side sound taken things took Tristan Tzara true turned Tzara UNIVERSITY wanted whole writes York Zurich