Dada: Art and Anti-artMcGraw-Hill, 1965 - 246 pagina's The drama of this movement from its birth in 1916 to its alleged end in 1922. |
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Pagina 81
... Stieglitz's periodical Camera Work became their mouthpiece . In his book Painting in the Twentieth Century Werner Haftmann traces Stieglitz's development , and that of his group , with great exactitude . " In 1902 , Stieglitz [ 1864 ...
... Stieglitz's periodical Camera Work became their mouthpiece . In his book Painting in the Twentieth Century Werner Haftmann traces Stieglitz's development , and that of his group , with great exactitude . " In 1902 , Stieglitz [ 1864 ...
Pagina 82
... Stieglitz had a specially close friendship with Marin which lasted until the latter's death . In 1912 Stieglitz provided funds for Marsden Hartley to go to Europe , where he ended up in Munich studying under Kandinsky . Stieglitz became ...
... Stieglitz had a specially close friendship with Marin which lasted until the latter's death . In 1912 Stieglitz provided funds for Marsden Hartley to go to Europe , where he ended up in Munich studying under Kandinsky . Stieglitz became ...
Pagina 83
... Stieglitz himself did not cause this explosion , but it was his dauntless championship of modern attitudes to photography and painting that set the scene , and prepared the minds of the public , for the bombshell that was the 1913 ...
... Stieglitz himself did not cause this explosion , but it was his dauntless championship of modern attitudes to photography and painting that set the scene , and prepared the minds of the public , for the bombshell that was the 1913 ...
Veelvoorkomende woorden en zinsdelen
abstract aesthetic André Breton Anna Blume anti-art anti-artistic Apollinaire appeared Aragon artistic audience Baader Baargeld Barrès became bee bee bee Berlin Dada bourgeois Cabaret Voltaire Café called cardboard chance cœur collages Cologne colours critic Cubist Dada Dada Dada movement Dada period Dada's Dadaist dance Doesburg Eggeling Eluard exhibition film France Francis Picabia freedom French friends Futurist gallery gave George Grosz German Hanover Hans Arp Hans Richter Heartfield Herr human humour ideas individual Jung Kandinsky Kurt Schwitters later lived manifesto Marcel Duchamp Marcel Janco Max Ernst Merz modern Neo-Dada never objects painter painting Paris Dada Paul Dermée Péret phonetic poem Photomontage played poème poet poetry Portrait published ready-mades Rees Ribemont Ribemont-Dessaignes Richard Huelsenbeck Richter Serner Soupault spontaneity Stieglitz Stijl Surrealism Surrealist Taeuber technique things took totally Tristan Tzara turned word York Zurich Dada
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Shamanism, Colonialism, and the Wild Man: A Study in Terror and Healing Michael T. Taussig Geen voorbeeld beschikbaar - 1991 |