Dada: Art and Anti-artMcGraw-Hill, 1965 - 246 pagina's The drama of this movement from its birth in 1916 to its alleged end in 1922. |
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Pagina 48
... art , but as a principle of dissolution and anarchy . In art , anti - art . I am not quite sure to what extent Tzara identified himself with Serner's ideas in 1917-18 . The events that took place in the Waag hall in 1916 , and in the ...
... art , but as a principle of dissolution and anarchy . In art , anti - art . I am not quite sure to what extent Tzara identified himself with Serner's ideas in 1917-18 . The events that took place in the Waag hall in 1916 , and in the ...
Pagina 49
... anti - art declarations , finally unable to arrest the pro - art ten- dencies within the movement . Our search , as visual artists , for the true ' language of Paradise ' went much deeper than the wild anti - art propaganda of the move ...
... anti - art declarations , finally unable to arrest the pro - art ten- dencies within the movement . Our search , as visual artists , for the true ' language of Paradise ' went much deeper than the wild anti - art propaganda of the move ...
Pagina 59
... Anti - Chance The adoption of chance had yet another purpose , a secret one . This was to restore to the work of arts its primeval magic power , and to find the way back to the immediacy it had lost through contact with the classicism ...
... Anti - Chance The adoption of chance had yet another purpose , a secret one . This was to restore to the work of arts its primeval magic power , and to find the way back to the immediacy it had lost through contact with the classicism ...
Veelvoorkomende woorden en zinsdelen
abstract aesthetic André Breton Anna Blume anti-art anti-artistic Apollinaire appeared Aragon artistic audience Baader Baargeld Barrès became bee bee bee Berlin Dada bourgeois Cabaret Voltaire Café called cardboard chance cœur collages Cologne colours critic Cubist Dada Dada Dada movement Dada period Dada's Dadaist dance Doesburg Eggeling Eluard exhibition film France Francis Picabia freedom French friends Futurist gallery gave George Grosz German Hanover Hans Arp Hans Richter Heartfield Herr human humour ideas individual Jung Kandinsky Kurt Schwitters later lived manifesto Marcel Duchamp Marcel Janco Max Ernst Merz modern Neo-Dada never objects painter painting Paris Dada Paul Dermée Péret phonetic poem Photomontage played poème poet poetry Portrait published ready-mades Rees Ribemont Ribemont-Dessaignes Richard Huelsenbeck Richter Serner Soupault spontaneity Stieglitz Stijl Surrealism Surrealist Taeuber technique things took totally Tristan Tzara turned word York Zurich Dada
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