Dada: Art and Anti-artMcGraw-Hill, 1965 - 246 pagina's The drama of this movement from its birth in 1916 to its alleged end in 1922. |
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Pagina 78
... audience . Then all hell broke loose . A poème simultané by Tristan Tzara , performed by twenty people who did not always keep in time with each other . This was what the audience , and especially its younger members , had been waiting ...
... audience . Then all hell broke loose . A poème simultané by Tristan Tzara , performed by twenty people who did not always keep in time with each other . This was what the audience , and especially its younger members , had been waiting ...
Pagina 142
... audience who had no experience whatever of anything modern . At first they were completely baffled , but after a couple of minutes the shock began to wear off . For another five minutes , protest was held in check by the respect due to ...
... audience who had no experience whatever of anything modern . At first they were completely baffled , but after a couple of minutes the shock began to wear off . For another five minutes , protest was held in check by the respect due to ...
Pagina 181
... audience itself . This is what Dada did , breaking open the categories in which are con- tained , and which express , all those principles that are still in any way sacred . So the audience felt within its rights in launching a counter ...
... audience itself . This is what Dada did , breaking open the categories in which are con- tained , and which express , all those principles that are still in any way sacred . So the audience felt within its rights in launching a counter ...
Veelvoorkomende woorden en zinsdelen
abstract aesthetic André Breton Anna Blume anti-art anti-artistic Apollinaire appeared Aragon artistic audience Baader Baargeld Barrès became bee bee bee Berlin Dada bourgeois Cabaret Voltaire Café called cardboard chance cœur collages Cologne colours critic Cubist Dada Dada Dada movement Dada period Dada's Dadaist dance Doesburg Eggeling Eluard exhibition film France Francis Picabia freedom French friends Futurist gallery gave George Grosz German Hanover Hans Arp Hans Richter Heartfield Herr human humour ideas individual Jung Kandinsky Kurt Schwitters later lived manifesto Marcel Duchamp Marcel Janco Max Ernst Merz modern Neo-Dada never objects painter painting Paris Dada Paul Dermée Péret phonetic poem Photomontage played poème poet poetry Portrait published ready-mades Rees Ribemont Ribemont-Dessaignes Richard Huelsenbeck Richter Serner Soupault spontaneity Stieglitz Stijl Surrealism Surrealist Taeuber technique things took totally Tristan Tzara turned word York Zurich Dada
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Shamanism, Colonialism, and the Wild Man: A Study in Terror and Healing Michael T. Taussig Geen voorbeeld beschikbaar - 1991 |