Dada: Art and Anti-artMcGraw-Hill, 1965 - 246 pagina's The drama of this movement from its birth in 1916 to its alleged end in 1922. |
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Pagina 51
... Chance movements of his hand and of the fluttering scraps of paper had achieved what all his efforts had failed to achieve , namely expression . He accepted this challenge from chance as a decision of fate and carefully pasted the ...
... Chance movements of his hand and of the fluttering scraps of paper had achieved what all his efforts had failed to achieve , namely expression . He accepted this challenge from chance as a decision of fate and carefully pasted the ...
Pagina 56
... Chance II " We Chinese ... are obsessed with the totality of things ... That is why we often fail in the specific and practical . We see cause and effect as but two of several aspects of the paramount drive and purpose of life . Cause ...
... Chance II " We Chinese ... are obsessed with the totality of things ... That is why we often fail in the specific and practical . We see cause and effect as but two of several aspects of the paramount drive and purpose of life . Cause ...
Pagina 59
... Chance and Anti - Chance The adoption of chance had yet another purpose , a secret one . This was to restore to the work of arts its primeval magic power , and to find the way back to the immediacy it had lost through contact with the ...
... Chance and Anti - Chance The adoption of chance had yet another purpose , a secret one . This was to restore to the work of arts its primeval magic power , and to find the way back to the immediacy it had lost through contact with the ...
Veelvoorkomende woorden en zinsdelen
abstract aesthetic André Breton Anna Blume anti-art anti-artistic Apollinaire appeared Aragon artistic audience Baader Baargeld Barrès became bee bee bee Berlin Dada bourgeois Cabaret Voltaire Café called cardboard chance cœur collages Cologne colours critic Cubist Dada Dada Dada movement Dada period Dada's Dadaist dance Doesburg Eggeling Eluard exhibition film France Francis Picabia freedom French friends Futurist gallery gave George Grosz German Hanover Hans Arp Hans Richter Heartfield Herr human humour ideas individual Jung Kandinsky Kurt Schwitters later lived manifesto Marcel Duchamp Marcel Janco Max Ernst Merz modern Neo-Dada never objects painter painting Paris Dada Paul Dermée Péret phonetic poem Photomontage played poème poet poetry Portrait published ready-mades Rees Ribemont Ribemont-Dessaignes Richard Huelsenbeck Richter Serner Soupault spontaneity Stieglitz Stijl Surrealism Surrealist Taeuber technique things took totally Tristan Tzara turned word York Zurich Dada
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Shamanism, Colonialism, and the Wild Man: A Study in Terror and Healing Michael T. Taussig Geen voorbeeld beschikbaar - 1991 |