Dada: Art and Anti-artMcGraw-Hill, 1965 - 246 pagina's The drama of this movement from its birth in 1916 to its alleged end in 1922. |
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Pagina 103
... manifesto . Tzara had enunciated this principle as early as 1916. From the day the Cabaret Voltaire opened its doors , we read and wrote manifestos . We did not only read them , we spoke them as vociferously and defiantly as we could ...
... manifesto . Tzara had enunciated this principle as early as 1916. From the day the Cabaret Voltaire opened its doors , we read and wrote manifestos . We did not only read them , we spoke them as vociferously and defiantly as we could ...
Pagina 104
... Manifesto " Art in its execution and direction is dependent on the time in which it lives , and artists are creatures of their epoch . The highest art will be that which in its conscious content presents the thousandfold problems of the ...
... Manifesto " Art in its execution and direction is dependent on the time in which it lives , and artists are creatures of their epoch . The highest art will be that which in its conscious content presents the thousandfold problems of the ...
Pagina 194
... manifesto ( 1924 ) , signed by all those who until a short time before had been Dadaists , such questions were finally settled . Or were they ? We may begin to have doubts , when Breton extends the concept of Surrealism to include ...
... manifesto ( 1924 ) , signed by all those who until a short time before had been Dadaists , such questions were finally settled . Or were they ? We may begin to have doubts , when Breton extends the concept of Surrealism to include ...
Veelvoorkomende woorden en zinsdelen
abstract aesthetic André Breton Anna Blume anti-art anti-artistic Apollinaire appeared Aragon artistic audience Baader Baargeld Barrès became bee bee bee Berlin Dada bourgeois Cabaret Voltaire Café called cardboard chance cœur collages Cologne colours critic Cubist Dada Dada Dada movement Dada period Dada's Dadaist dance Doesburg Eggeling Eluard exhibition film France Francis Picabia freedom French friends Futurist gallery gave George Grosz German Hanover Hans Arp Hans Richter Heartfield Herr human humour ideas individual Jung Kandinsky Kurt Schwitters later lived manifesto Marcel Duchamp Marcel Janco Max Ernst Merz modern Neo-Dada never objects painter painting Paris Dada Paul Dermée Péret phonetic poem Photomontage played poème poet poetry Portrait published ready-mades Rees Ribemont Ribemont-Dessaignes Richard Huelsenbeck Richter Serner Soupault spontaneity Stieglitz Stijl Surrealism Surrealist Taeuber technique things took totally Tristan Tzara turned word York Zurich Dada
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