Dada: Art and Anti-artMcGraw-Hill, 1965 - 246 pagina's The drama of this movement from its birth in 1916 to its alleged end in 1922. |
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Pagina 41
... object is present except in fragmentary form . This is one more proof that the human countenance has become ugly and outworn , and that the things which surround us have become objects of revulsion . The next step is for poetry to ...
... object is present except in fragmentary form . This is one more proof that the human countenance has become ugly and outworn , and that the things which surround us have become objects of revulsion . The next step is for poetry to ...
Pagina 96
... objects . His powers of invention , schooled in every possible technique , were and are employed to transform the useful objects which surround him into useless ones . The destructive impulse , which is expressed in Picabia's continual ...
... objects . His powers of invention , schooled in every possible technique , were and are employed to transform the useful objects which surround him into useless ones . The destructive impulse , which is expressed in Picabia's continual ...
Pagina 212
Hans Richter. is to command our attention . For objects we are used to are parts of our ordinary environment and go unnoticed . If the object is an ordinary one it must be shown in an unexpected juxtaposition with other objects ( a man's ...
Hans Richter. is to command our attention . For objects we are used to are parts of our ordinary environment and go unnoticed . If the object is an ordinary one it must be shown in an unexpected juxtaposition with other objects ( a man's ...
Veelvoorkomende woorden en zinsdelen
abstract aesthetic André Breton Anna Blume anti-art anti-artistic Apollinaire appeared Aragon artistic audience Baader Baargeld Barrès became bee bee bee Berlin Dada bourgeois Cabaret Voltaire Café called cardboard chance cœur collages Cologne colours critic Cubist Dada Dada Dada movement Dada period Dada's Dadaist dance Doesburg Eggeling Eluard exhibition film France Francis Picabia freedom French friends Futurist gallery gave George Grosz German Hanover Hans Arp Hans Richter Heartfield Herr human humour ideas individual Jung Kandinsky Kurt Schwitters later lived manifesto Marcel Duchamp Marcel Janco Max Ernst Merz modern Neo-Dada never objects painter painting Paris Dada Paul Dermée Péret phonetic poem Photomontage played poème poet poetry Portrait published ready-mades Rees Ribemont Ribemont-Dessaignes Richard Huelsenbeck Richter Serner Soupault spontaneity Stieglitz Stijl Surrealism Surrealist Taeuber technique things took totally Tristan Tzara turned word York Zurich Dada
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Shamanism, Colonialism, and the Wild Man: A Study in Terror and Healing Michael T. Taussig Geen voorbeeld beschikbaar - 1991 |